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Pure visibility: a comparative analysis of the conceptions of Alois Riegl and Heinrich Wölfflin

This article intends to explore the perspective of the Comparative Historiography of Art, analyzing the approaches of two important Art Historians: Alois Riegl (1858- 1905) e Heinrich Wölfflin (1864-1945) e Georges Didi-Huberman (1953). Both art historians examined correspond to a similar intellect...

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Bibliographic Details
Main Author: Barros, José D'Assunção
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2017
Subjects:
História comparada
História da arte
Riegl
Wölfflin
Visibilidade pura.
Historia comparativa
Historia del arte
Pura visibilidad.
Comparative history
Art history
Rieg
Pure vivibility.
Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/12014
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Summary:This article intends to explore the perspective of the Comparative Historiography of Art, analyzing the approaches of two important Art Historians: Alois Riegl (1858- 1905) e Heinrich Wölfflin (1864-1945) e Georges Didi-Huberman (1953). Both art historians examined correspond to a similar intellectual ambient, since they are not distanced in the time and belong to the same historiography current of analyses of Arte: the Vienna School of Art History. This current, which theory bases are knew as “Theory of the Pure Visibility”, will be de apprehension object of this article.
ISSN:2447-1313

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