I have little to say beyond what is contained in these sambas”: the brazilian subject and the suspension of the “promesse du bonheur” in some songs from Chico Buarque’s first LP
Chico Buarque de Hollanda, 1966 first LP recorded by the songwriter, brings a lot of songs centered on the figure of individuals. Circulating among the everyday issues of their lives, as well as between samba and bossa nova, this individuals in the first disc of Chico Buarque presents themselves as...
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| Main Author: | |
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2014
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12938 |
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| Summary: | Chico Buarque de Hollanda, 1966 first LP recorded by the songwriter, brings a lot of songs centered on the figure of individuals. Circulating among the everyday issues of their lives, as well as between samba and bossa nova, this individuals in the first disc of Chico Buarque presents themselves as singular figurations of the Brazilian subject. Social antagonisms that characterize them offer a historical expression, like a musical experience of social traumas experienced in the 1960s in Brazil. From the analysis and interpretation of some songs of that first LP, the text shows the suspension of the “Promesse du Bonheur” as the sedimentation of the historical process in the work of Chico Buarque. |
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| ISSN: | 2316-7858 |
