“Pedro Pedreiro”, “Bye Bye Brasil”, “Pelas Tabelas”: towards the collapse of historical time
The issue of historical time in the repertoire of Chico Buarque de Hollanda is not new. In this article I seek to add this subject to two guidelines that, in a sense, are related: the process of Brazilian conservative modernization and the end of the prospect of singing the country’s future. Therefo...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2014
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12941 |
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| Summary: | The issue of historical time in the repertoire of Chico Buarque de Hollanda is not new. In this article I seek to add this subject to two guidelines that, in a sense, are related: the process of Brazilian conservative modernization and the end of the prospect of singing the country’s future. Therefore, the paper is divided into two parts. First, I demonstrate how Chico Buarque´s songs are permeated by the radical melancholy linked to the loss of future country’s image. Second, I analyze how this “future” was materialized. The first point can be summed up in several songs from the beginning of Chico's career. However, I will consider the socio-historical analysis of “Pedro Pedreiro” (1965) which comprises the decline of the left´s utopias. To summarize the consequences of this decline, into the context of democratization, I will analyze “Bye Bye Brazil” (1979) and “Pelas Tabelas” (1984). I would like to underline that “Pedro Pedreiro” song will be as a sort of introduction to the main subject of the paper: the time diagnosis´s stuck in the late capitalism, together with changes in the modernization of the Brazilian process. |
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| ISSN: | 2316-7858 |
