Notes on “Cálice” (2010, 1973, 1978, 2011)
The paper analyses fundamentals aspects of the artistic form and the marketing perform of the song “Cálice” (Gilberto Gil/ Chico Buarque), composed in 1973 and recorded in 1978, of the clip Criolo Doido – Cálice, recorded in 2010, and of the song “Rap de Cálice” (Chico Buarque), recorded in 2011. In...
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| Main Author: | |
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2014
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12942 |
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| Summary: | The paper analyses fundamentals aspects of the artistic form and the marketing perform of the song “Cálice” (Gilberto Gil/ Chico Buarque), composed in 1973 and recorded in 1978, of the clip Criolo Doido – Cálice, recorded in 2010, and of the song “Rap de Cálice” (Chico Buarque), recorded in 2011. In the perspective that one takes, the notion of form refers to the analysis of the elements that structure each composition and to the interpretation of the meaning of that structure in the light of Brazil’s historical process. Thus, some musical and poetical techniques of “Cálice”, Criolo Doido – Cálice and “Rap de Cálice”, as well as the relationships between these techniques and some key aspects of the performances of Chico Buarque, Gilberto Gil, Milton Nascimento and Criolo in the market, are studied in the light of Brazilian history in the 1970s and in our days. |
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| ISSN: | 2316-7858 |
