Cover Image

Recordings, performance and musicology in the universe of choro

The urban music of Brazil became popular through the use of media and recordings, and the radio and the disc can be thought as important means of transmission of musical performances. The recording technology allowed the settlement of musical productions through recordings that became paradigms for...

Full description

Saved in:

Bibliographic Details
Main Authors:	Pessoa, Felipe, Freire, Ricardo Dourado
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2013
Subjects:	Musicologia Música brasileira Choro Performance Fonogramas Musicology Brazilian music Recordings Musicología Música brasileña Llorar Actuación
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12967
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

The musical rhetoric and the choro
by: Lopes, Mário Sève Wanderley, et al.
Published: (2019)

Contemporary Carioca, de Frederick Moehn
by: Baia, Silvano Fernandes, et al.
Published: (2017)

Paulo Moura’s interpretative contribution in “Tarde de Chuva" (“Raining afternoon”)
by: Spielmann, Daniela, et al.
Published: (2020)

The stylistic construction of the cavaquinho and the processes of musical transmission in the choro: the relation GaldinoÁlvares-Canhoto
by: Ribeiro, Jamerson Farias, et al.
Published: (2019)

The piano in the Choro group: other possibilities
by: Oliveira, Luísa Camargo Mitre de, et al.
Published: (2019)

Filarmônica Nossa Senhora da Conceição (Itabaiana-SE): estudo musicológico-histórico sobre a origem dos seus antecedentes
by: Moreira, Marcos
Published: (2009)

Um resgate do patrimônio musical paulista: as missas de Manoel José Gomes, mestre-de-capela em Campinas
by: Dias, Vivian Lis Ferreira Nogueira
Published: (2016)

Narrativity and power: on the construction of choro’s history
by: Rezende, Gabriel Sampaio Souza Lima, et al.
Published: (2016)

The Album “Choro Frevado” by Antônio da Silva Torres: a place of memory for the choro from Pernambuco
by: Moreira, Maíra Macedo, et al.
Published: (2019)

Editorial
by: Santos, Rafael dos, et al.
Published: (2016)

São Paulo’s Samba: militancy and resistance
by: Prando, Flavia Rejane, et al.
Published: (2019)

The three phases of the genre maxixe
by: Cazes, Henrique Leal, et al.
Published: (2019)

The flute and the camera: uses and roles of the image in an ethnography of music
by: Bertho, Renan Moretti, et al.
Published: (2021)

Musical transmission between flutists of the 19th and early 20th centuries: research in Rio de Janeiro newspapers
by: Rosa, Luciana Fernandes, et al.
Published: (2020)

Influence of Indigenous voice on brazilian music
by: Pucci, Magda Dourado, et al.
Published: (2017)

Information on sheet music: elements for document analysis and indexing
by: Cavalcanti, Hugo Carlos, et al.
Published: (2011)

Outline of a history of the record industry in Brazil: a contribution from the Media Studies
by: Vicente, Eduardo, et al.
Published: (2014)

Ethics and performance
by: Midgelow, Vida, et al.
Published: (2019)

Chorar, verbo transitivo
by: Barbosa, Maria José Somerlate
Published: (2013)

Cultural Center for Youth: a look at the musical diversity of São Paulo
by: Vicente, Eduardo, et al.
Published: (2012)

Sociocultural performances and telenovelas
by: Vilela, Anne Araujo, et al.
Published: (2018)

The music in the sport: literature review
by: Cova, Larissa Pereira, et al.
Published: (2017)

Chico Mário and the independent record: cultural resistance and Brazilian instrumental music in the 1980s
by: Bittencourt, Icaro
Published: (2020)

São Paulo musical scene in the 2010s and the “new musical artists” in brazilian post-Internet independent production
by: Galletta, Thiago, et al.
Published: (2018)

Beyond the major labels: historical, imaginary and “independent” practices in Brazil
by: Galletta, Thiago Pires, et al.
Published: (2014)

Tom Zé and the counter-speech of the anti-hero: critique and deconstruction of the MPB song in todos os olhos
by: Freire, Guilherme Araujo, et al.
Published: (2018)

Audiotactile expressiveness and interpretive practices of the soloist as an accompanist: the case of Altamiro Carrilho in the LP Depoimento do Poeta (1970)
by: Modesto, Marcio, et al.
Published: (2020)

Voice in Brazilian popular song: dossier presentation
by: Machado, Regina, et al.
Published: (2017)

Editorial
by: Aragão, Pedro, et al.
Published: (2018)

Editorial
by: Ulhôa, Martha, et al.
Published: (2018)

Presentation of the dossier
by: Diniz, Sheyla Castro, et al.
Published: (2018)

Editorial
by: Ulhôa, Martha Tupinambá de, et al.
Published: (2019)

Editorial
by: Ulhôa, Martha Tupinambá de, et al.
Published: (2019)

Editorial
by: Santos, Antonio Rafael Carvalho dos, et al.
Published: (2012)

Editorial
by: Santos, Rafael dos, et al.
Published: (2013)

Editorial
by: Santos, Rafael dos, et al.
Published: (2014)

Editorial
by: Zan, José Roberto, et al.
Published: (2014)

Editorial
by: Santos, Rafael dos, et al.
Published: (2013)

Editorial
by: Santos, Rafael dos, et al.
Published: (2017)

Music in Social Isolation: collaborations and reflections on lives as a space for performance and musical criticism.: colaborações e reflexões em lives como espaço de performance e crítica musical
by: Nascimento, Bruno Rosa do, et al.
Published: (2020)