Charly García: allegory and rock

Allegory is an old rhetorical figure that transcended history and keeps re-emerging in different forms, as an effective and malleable symbolic mode. During the military dictatorship in Argentina -period known as the Process- (1976-1983), as a reaction to censorship, allegory seems to be one of the m...

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Main Author: Favoretto, Mara
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2013
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Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12971
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author Favoretto, Mara
Favoretto, Mara
Favoretto, Mara
author_facet Favoretto, Mara
Favoretto, Mara
Favoretto, Mara
author_sort Favoretto, Mara
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference Música Popular em Revista; Vol. 2 No. 1 (2013); 125-151
description Allegory is an old rhetorical figure that transcended history and keeps re-emerging in different forms, as an effective and malleable symbolic mode. During the military dictatorship in Argentina -period known as the Process- (1976-1983), as a reaction to censorship, allegory seems to be one of the main rhetorical strategies used in the lyrics of the songs of the rock nacional movement. Following Fletcher (1964), for whom allegory is a dialectical method of interpretation that tries to decode what is hidden in any type of image and text, this study explores the songs composed by Charly García during the first five years of the dictatorship. This musician, arguably one of the main representatives of the rock nacional genre, is characterized by producing complex allegories which, when re-visited decades later, keep revealing possible associations, proving the transcendentalism of this symbolic mode.
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spelling ojs-article-129712020-09-18T15:53:28Z Charly García: allegory and rock Charly García: alegoría y rock Charly García: alegoría e rock Favoretto, Mara Favoretto, Mara Favoretto, Mara Rock nacional Alegoria Charly García National rock Allegorie Charly García Rock nacional Alegoría Charly García Allegory is an old rhetorical figure that transcended history and keeps re-emerging in different forms, as an effective and malleable symbolic mode. During the military dictatorship in Argentina -period known as the Process- (1976-1983), as a reaction to censorship, allegory seems to be one of the main rhetorical strategies used in the lyrics of the songs of the rock nacional movement. Following Fletcher (1964), for whom allegory is a dialectical method of interpretation that tries to decode what is hidden in any type of image and text, this study explores the songs composed by Charly García during the first five years of the dictatorship. This musician, arguably one of the main representatives of the rock nacional genre, is characterized by producing complex allegories which, when re-visited decades later, keep revealing possible associations, proving the transcendentalism of this symbolic mode. La alegoría es un figura retórica antigua que atraviesa la historia y sigue reapareciendo de diferentes maneras como un modo simbólico efectivo y maleable. Durante el régimen militar conocido como el Proceso en Argentina (1976-1983),  la alegoría, en parte como reacción a la censura, aparece como principal estrategia retórica en el movimiento de resistencia conocido como rock nacional.  Siguiendo la teoría de Fletcher (1964), que estudió la alegoría como método de interpretación dialéctica que pretende descifrar lo oculto en todo tipo de textos e imágenes, se exploran en este trabajo las canciones de Charly García producidas durante los primeros cinco años de este período. Este músico, uno de los principales compositores de este género, se caracteriza por componer alegorías complejas que al ser revisitadas, décadas después, continúan revelando nuevas posibles asociaciones, comprobando así el carácter transcendente de esta forma simbólica. A alegoria é uma figura retórica milenar que atravessa a história e reaparece de diferentes formas como modo simbólico eficaz e maleável. Durante o regime militar conhecido como Processo na Argentina (1976-1983), a alegoria, em parte como uma reação à censura, apareceu como a principal estratégia retórica do movimento de resistência conhecido como rock nacional. Seguindo a teoria de Fletcher (1964), que estudou a alegoria como método de interpretação dialética que busca decifrar o oculto em todos os tipos de textos e imagens, as canções de Charly García produzidas durante os primeiros cinco anos deste período são exploradas nesta obra. . Este músico, um dos principais compositores deste género, caracteriza-se por compor alegorias complexas que, quando revisitadas, décadas mais tarde, continuam a revelar novas associações possíveis, comprovando assim o carácter transcendente desta forma simbólica. Universidade Estadual de Campinas 2013-10-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares Texto Text Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12971 10.20396/muspop.v2i1.12971 Música Popular em Revista; Vol. 2 No. 1 (2013); 125-151 Música Popular em Revista; Vol. 2 Núm. 1 (2013); 125-151 Música Popular em Revista; v. 2 n. 1 (2013); 125-151 2316-7858 por https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12971/8340 Argentina; 1976-1983 Argentina; 1976-1983 Argentina; 1976-1983 Copyright (c) 2013 Mara Favoretto
spellingShingle Favoretto, Mara
Favoretto, Mara
Favoretto, Mara
Rock nacional
Alegoria
Charly García
National rock
Allegorie
Charly García
Rock nacional
Alegoría
Charly García
Charly García: allegory and rock
title Charly García: allegory and rock
title_full Charly García: allegory and rock
title_fullStr Charly García: allegory and rock
title_full_unstemmed Charly García: allegory and rock
title_short Charly García: allegory and rock
title_sort charly garcía: allegory and rock
topic Rock nacional
Alegoria
Charly García
National rock
Allegorie
Charly García
Rock nacional
Alegoría
Charly García
url https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/12971
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