Female Screams: performances of MPB Singers and Their Political Significance (1960s and 2000s)
The present work analyzes the performance of three important MPB performers – Maria Bethânia, Elis Regina and Elza Soares – and their resonance on the public and specialized critics in two contexts marked by intense conflicts and changes in the artistic, political and intellectual field. It seeks, t...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2017
|
| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13053 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The present work analyzes the performance of three important MPB performers – Maria Bethânia, Elis Regina and Elza Soares – and their resonance on the public and specialized critics in two contexts marked by intense conflicts and changes in the artistic, political and intellectual field. It seeks, through this, to enter into a reflection on gender and feminism, dealing more specifically with the work of women in the field of Brazilianpopular music and politics. |
|---|---|
| ISSN: | 2316-7858 |
