“Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985)
In the period of Brazilian redemocratization, it is particularly noteworthy the engagement of musicians associated with the cultural formation called Clube da Esquina (Corner Club), headed by the emblematic figure of Milton Nascimento. Combining historical research with popular music studies, we app...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2018
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13136 |
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| author | Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima |
| author_facet | Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima |
| author_sort | Garcia, Luiz Henrique Assis |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | Música Popular em Revista; Vol. 5 No. 2 (2018); 61-87 |
| description | In the period of Brazilian redemocratization, it is particularly noteworthy the engagement of musicians associated with the cultural formation called Clube da Esquina (Corner Club), headed by the emblematic figure of Milton Nascimento. Combining historical research with popular music studies, we approach their aesthetic and political choices and inventions, including engaging on concerts integrated with key campaigns (Amnesty, Direct election Now), their involvement with social movements and their song writing, showing in their work the historical balance of what had happened and the demand to live a time of new perspectives and dreams made possible by the reestablishment of democracy. |
| first_indexed | 2025-10-08T14:29:02Z |
| format | Online |
| id | ojs-article-13136 |
| institution | Universidade Estadual de Campinas |
| issn | 2316-7858 |
| language | por |
| last_indexed | 2025-10-08T14:29:02Z |
| publishDate | 2018 |
| publisher | Universidade Estadual de Campinas |
| record_format | ojs |
| spelling | ojs-article-131362020-09-27T11:20:31Z “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) “Aun así, no cuesta inventar una nueva canción”: : clube da esquina y la redemocratización en Brasil (1978-1985) “Mesmo assim não custa inventar uma nova canção”: o clube da esquina e a redemocratização no Brasil (1978-1985) Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Música popular Clube da esquina Redemocratização brasileira Popular music Corner club Brazilian redemocratization Música popular Club de esquina Redemocratización brasileña In the period of Brazilian redemocratization, it is particularly noteworthy the engagement of musicians associated with the cultural formation called Clube da Esquina (Corner Club), headed by the emblematic figure of Milton Nascimento. Combining historical research with popular music studies, we approach their aesthetic and political choices and inventions, including engaging on concerts integrated with key campaigns (Amnesty, Direct election Now), their involvement with social movements and their song writing, showing in their work the historical balance of what had happened and the demand to live a time of new perspectives and dreams made possible by the reestablishment of democracy. Destaca la participación, durante el período de redemocratización en Brasil, de músicos asociados a la formación cultural denominada Clube da Esquina, encabezada por la figura emblemática de Milton Nascimento. Combinando la investigación histórica con los estudios de la música popular, nos acercamos a sus elecciones e invenciones estéticas y políticas, incluida la participación en conciertos integrados con campañas clave (Amnistía, Diretas Já), su implicación con los movimientos sociales y la creación de canciones, evidenciando en su trabajo. el balance histórico de lo sucedido y la pretensión de vivir en una época de nuevas perspectivas y sueños posibilitados por la restauración de la democracia. É particularmente notável a participação, no período da redemocratização brasileira, dos músicos associados à formação cultural denominada Clube da Esquina, encabeçados pela figura emblemática de Milton Nascimento. Aliando a investigação histórica aos estudos de música popular, abordamos suas escolhas e invenções estéticas e políticas, compreendendo a participação em concertos integrados a campanhas fulcrais (Anistia, Diretas Já), seu envolvimento junto a movimentos sociais e a criação cancional, evidenciando em sua obra o balanço histórico do que se passara e a reivindicação por viver um tempo de novas perspectivas e sonhos possibilitados pelo restabelecimento da democracia. Universidade Estadual de Campinas 2018-08-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto Text Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13136 10.20396/muspop.v5i2.13136 Música Popular em Revista; Vol. 5 No. 2 (2018); 61-87 Música Popular em Revista; Vol. 5 Núm. 2 (2018); 61-87 Música Popular em Revista; v. 5 n. 2 (2018); 61-87 2316-7858 por https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13136/8502 Brazil; 1978-1985 Brasil; 1978-1985 Brasil; 1978-1985 Copyright (c) 2018 Luiz Henrique Assis Garcia, Marcos Sarieddine Araújo, Hudson Leonardo Lima Públio |
| spellingShingle | Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Garcia, Luiz Henrique Assis Araújo, Marcos Sarieddine Públio, Hudson Leonardo Lima Música popular Clube da esquina Redemocratização brasileira Popular music Corner club Brazilian redemocratization Música popular Club de esquina Redemocratización brasileña “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title | “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title_full | “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title_fullStr | “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title_full_unstemmed | “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title_short | “Even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in Brazil (1978-1985) |
| title_sort | “even so it’s worth trying to invent a new song”: the clube da esquina (corner club) and the redemocratization in brazil (1978-1985) |
| topic | Música popular Clube da esquina Redemocratização brasileira Popular music Corner club Brazilian redemocratization Música popular Club de esquina Redemocratización brasileña |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13136 |
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