São Paulo musical scene in the 2010s and the “new musical artists” in brazilian post-Internet independent production
Based on interviews with musicians, this article analyzes the importance of the musical scene in the 2010s in São Paulo, which is a major center of creation of current Brazilian music. The article discusses some of the major changes taking place – in view of the recent digital context – along the ch...
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| Autor principal: | |
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| Formato: | Online |
| Lenguaje: | portugués |
| Publicado: |
Universidade Estadual de Campinas
2018
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| Acceso en línea: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13138 |
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| Sumario: | Based on interviews with musicians, this article analyzes the importance of the musical scene in the 2010s in São Paulo, which is a major center of creation of current Brazilian music. The article discusses some of the major changes taking place – in view of the recent digital context – along the chain of musical production and consumption, both in the spaces occupied by independent musicians and in those occupied by independent scenes. The author analyzes the simultaneous roles played by these musicians in the emerging technological and economic scene, as “creators” of their works and as “managers” and “communicators” of their careers. Attention is given here to both the new productive and aesthetic potentials that are opening up in the midst of these changes, as well as to the tensions involving these parallel attributions and functions, which had not operated as closely together in earlier decades. |
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| ISSN: | 2316-7858 |
