The stylistic construction of the cavaquinho and the processes of musical transmission in the choro: the relation GaldinoÁlvares-Canhoto
This article is an excerpt of my dissertation (RIBEIRO, 2014), which purposed to study the praxis of one of the most outstanding names of the Brazilian cavaquinho, Canhoto do Cavaquinho. In order to characterize his style it has been made an analysis of the recordings throughout his career and also...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2019
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13148 |
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| Summary: | This article is an excerpt of my dissertation (RIBEIRO, 2014), which purposed to study the praxis of one of the most outstanding names of the Brazilian cavaquinho, Canhoto do Cavaquinho. In order to characterize his style it has been made an analysis of the recordings throughout his career and also of his interaction with the sociocultural context in the period of his musical learning and professionalization. In this paper I discuss therelationship between his stylistic construction and the pioneering practice of the cavaquinho in choro, observed from the concept of sonic order by the ethnomusicologist John Blacking, as well as the process of transforming an individual style into a reference of a popular genre. |
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| ISSN: | 2316-7858 |
