The dualistic representation of forró in academic writings and the occurring diversity
This essay deals of a incongruity between the diversity of practices occurring in forró music and its discursive representation by scholars. Popular music that Luiz Gonzaga launched in the 1940s under the nickname of baião, forró music multiplied throughout its history, to encompass a variety of sou...
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| Main Author: | Santos, Climério de Oliveira |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2019
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13161 |
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