Social memory and regionalist discourse in the song “BelémPará-Brasil”
This work is an analysis of the original recording of the song Belém-ParáBrasil, from the Paraense rock group Mosaico de Ravenna. The goal is to take this music as a lyrics-sound ensemble that, in its aesthetic-political construct, argues for identity presuppositions that, however, are historically...
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| Main Author: | |
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2019
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/13163 |
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| Summary: | This work is an analysis of the original recording of the song Belém-ParáBrasil, from the Paraense rock group Mosaico de Ravenna. The goal is to take this music as a lyrics-sound ensemble that, in its aesthetic-political construct, argues for identity presuppositions that, however, are historically located - the late 1980s - but which projected themselves beyond this context. Its creation and preliminary circulation, being actuated asdiscursive power in others, diverse and distinct, moments and social spaces. Certainly due to its discursive characteristic, the song has become an object of cultural significance highlighted in the field of popular music of the city, even being raised to the condition of a "hymn". Therefore, it is unavoidable to draw a relationship between the intonative actions of its soundliteral economy and a social memory projected thereafter. |
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| ISSN: | 2316-7858 |
