Disruptive: memory about audience behavior in art and technology exhibitions
In order to understand how affective positioning can create a memory around the expectations and impressions of the public in contact with works of art created on hybrid supports, the focus of this article is to address the constitutive process of writing about the behavior of the visiting audience...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2020
|
| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/13513 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | In order to understand how affective positioning can create a memory around the expectations and impressions of the public in contact with works of art created on hybrid supports, the focus of this article is to address the constitutive process of writing about the behavior of the visiting audience of exhibition A arte eletrônica na época disruptiva [Electronic art in the disruptive era]. The text aims to methodologically question the delimitation of a denial of the space of affections for research on disputes over the viewer's place in more laboratory exhibition models. By proposing to take a more experimental position during participant observation in the visitation situation, I investigate how to approach the field of public experiences when interacting with the art and technology exhibition. |
|---|---|
| ISSN: | 2447-1313 |
