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The indigenous through the photographic lens: the construction of imagery under the aegis of nineteenth-century nationalist discourse

The main application of photography in the nineteenth century was portraiture. This photographic practice was not immune, however, to the desire to symbolically construct an idea of a civilized Brazilian nation. Several ambiguities are thus implicated in the assumption that photography is a faithful...

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Bibliographic Details
Main Author:	Soares, Carolina
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2020
Subjects:	Imagem fotográfica Nacionalismo Século XIX Representação do indígena Cultura visual Photographic image Nationalism Nineteenth century Representation of the Indigenous Visual Culture
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/13677
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