The indigenous through the photographic lens: the construction of imagery under the aegis of nineteenth-century nationalist discourse
The main application of photography in the nineteenth century was portraiture. This photographic practice was not immune, however, to the desire to symbolically construct an idea of a civilized Brazilian nation. Several ambiguities are thus implicated in the assumption that photography is a faithful...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2020
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/13677 |
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