Lionello Venturi’s Astratto e Concreto and the Gruppo degli Otto
Investigating the Gruppo degli Otto and his works in the collection in the collection of the Museum of Contemporary Art, University of São Paulo faces the concept of “concrete-abstract” proposed by the art critic historian who headed the Gruppo, Lionello Venturi. His Astratto-Concreto reverberates t...
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| Formato: | Online |
| Lenguaje: | portugués |
| Publicado: |
Universidade Estadual de Campinas
2020
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| Acceso en línea: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/13679 |
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| Sumario: | Investigating the Gruppo degli Otto and his works in the collection in the collection of the Museum of Contemporary Art, University of São Paulo faces the concept of “concrete-abstract” proposed by the art critic historian who headed the Gruppo, Lionello Venturi. His Astratto-Concreto reverberates to a great extent in his production, becoming definer for the understanding and the production of a work of art according to Venturi. This article aims to explore the emergence of this concept and its role in the Italian art scene of the Cold War. |
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| ISSN: | 2675-9829 |
