Godidigo on the skin: reaches and limits in aesthetics in onto-epistemology ejiwajegi-kadiwéu
In this article I intend to reflect on the possibility of understanding ǥodidigo (our writing, our letter), which is how the Ejiwajegi/Kadiwéu title their drawings, as a person who relates and puts people in relationship. That is, from the parallelism between a group of graphics used specifically in...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/maloca/article/view/14200 |
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| Summary: | In this article I intend to reflect on the possibility of understanding ǥodidigo (our writing, our letter), which is how the Ejiwajegi/Kadiwéu title their drawings, as a person who relates and puts people in relationship. That is, from the parallelism between a group of graphics used specifically in the parties of the girl, the warrior and the Indian, and some primordial knowledge, I observe in these three parties ejiwajegi/kadiwéu how things and people result from and participate in relationships. Thus, by means of strathernian relationalism, I intend to reach some answer to my starting question, observing the drawing as a participant, an agent, of the relations built in this community instead of or in addition to be "just" a festive decoration. |
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| ISSN: | 2675-3111 |
