Processos criativos e imaginação: o trabalho de Bavcar como metáfora sobre a condição dialógica da psique

This article discusses the aesthetic, dialogical and necessarily semiotic dimensions of human experience and its place in current psychology. For the intended discussion, the photographs and reflections of the blind artist and philosopher Evgen Bavcar are taken as a metaphor/allegory to question the...

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Bibliographic Details
Main Authors: Pinheiro, Marina Assis, Breckenfeld, Taciana Feitosa de Melo, Lyra, Maria da Conceição Diniz Pereira de
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2019
Subjects:
Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/tsc/article/view/14506
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Summary:This article discusses the aesthetic, dialogical and necessarily semiotic dimensions of human experience and its place in current psychology. For the intended discussion, the photographs and reflections of the blind artist and philosopher Evgen Bavcar are taken as a metaphor/allegory to question the Cartesian paradigm, in its ontological split between subject-object resulting in the artificializing conceptualization, objectivist and visocentric version of the psyche. In this sense, the imaginative and creative processes are retakenas fundamental psychological functions towards the resumption of the aesthetic and dialogical dimension of human existence.
ISSN:2318-8839