History and memory in the contemporary artistic landscape
This communication aims to address the relationship between Geography, History and Art. An approach that we will approach from the point of view of landscape art but that necessarily needs historical and geographical support, for which we will turn to recent studies. The physical geographical space...
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| Format: | Online |
| Language: | Spanish |
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Universidade Estadual de Campinas
2020
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/14775 |
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| author | Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel |
| author_facet | Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel |
| author_sort | Sánchez Giner, María Victoria |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | Revista Visuais; Vol. 6 No. 2 (2020): jul./dez: [11] Expanded borders, shifting territories; 114-128 |
| description | This communication aims to address the relationship between Geography, History and Art. An approach that we will approach from the point of view of landscape art but that necessarily needs historical and geographical support, for which we will turn to recent studies. The physical geographical space cannot be understood without an associated cultural and historical space. Culture and history are the result of the adaptation of a specific society to a specific territory at a specific time. For Munárriz (2005), the anthropological perspective starts from the physical space but subordinates it to its cultural dimension, that is, as a basic component of the vital environment in which the story takes place, the place where concrete and specific forms of life develop. Santacana and Mestre (2009) attribute to the landscape the quality of historical when it shows in one or more constitutive elements of it, whether diachronic or synchronic, evocations or explicit information of the human past, which is why they become a resource for the conservation of the collective memory of a concrete and significant event. In this sense, they divide the historical landscape into various categories, among which we will highlight the Landscape with intangible historical heritage and the Landscape with mythical heritage. |
| first_indexed | 2025-10-08T14:40:14Z |
| format | Online |
| id | ojs-article-14775 |
| institution | Universidade Estadual de Campinas |
| issn | 2447-1313 |
| language | spa |
| last_indexed | 2025-10-08T14:40:14Z |
| publishDate | 2020 |
| publisher | Universidade Estadual de Campinas |
| record_format | ojs |
| spelling | ojs-article-147752020-12-09T19:27:34Z History and memory in the contemporary artistic landscape Historia y memoria en el paisaje artístico contemporáneo História e memória na paisagem artística contemporânea Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Simbolic landscape Heritage landscape Contemporary art Photographie Paisaje simbólico Paisaje patrimonial Arte contemporáneo Fotografía Paisagem simbólica Paisagem patrimonial Arte contemporânea Fotografia This communication aims to address the relationship between Geography, History and Art. An approach that we will approach from the point of view of landscape art but that necessarily needs historical and geographical support, for which we will turn to recent studies. The physical geographical space cannot be understood without an associated cultural and historical space. Culture and history are the result of the adaptation of a specific society to a specific territory at a specific time. For Munárriz (2005), the anthropological perspective starts from the physical space but subordinates it to its cultural dimension, that is, as a basic component of the vital environment in which the story takes place, the place where concrete and specific forms of life develop. Santacana and Mestre (2009) attribute to the landscape the quality of historical when it shows in one or more constitutive elements of it, whether diachronic or synchronic, evocations or explicit information of the human past, which is why they become a resource for the conservation of the collective memory of a concrete and significant event. In this sense, they divide the historical landscape into various categories, among which we will highlight the Landscape with intangible historical heritage and the Landscape with mythical heritage. La presente comunicación pretende abordar la relación entre Geografía, Historia y Arte. Una aproximación que enfocaremos desde el punto de vista del arte del paisaje pero que necesariamente necesita de un apoyo histórico y geográfico, para lo cual acudiremos a estudios recientes. El espacio geográfico físico no se puede entender sin un espacio cultural e histórico asociado. La cultura y la historia son fruto de la adaptación de una sociedad concreta a un territorio concreto en un tiempo concreto. Para Munárriz (2005) La perspectiva antropológica parte del espacio físico pero lo supedita a su dimensión cultural, es decir, en cuanto componente básico del entorno vital en el que se desarrolla la historia, el lugar donde se desarrollan formas concretas y específicas de vida. Santacana y Mestre (2009) atribuyen al paisaje la cualidad de histórico cuando muestra en uno o más elementos constitutivos del mismo, bien sean diacrónicos o sincrónicos, evocaciones o informaciones explícitas del pasado humano por lo que se convierten en un recurso para la conservación de la memoria colectiva de un hecho concreto y significativo. En este sentido dividen el paisaje histórico en diversas categorías, entre las que destacaremos el Paisaje con patrimonio histórico intangible y el Paisaje con patrimonio mítico. Esta comunicação pretende abordar a relação entre Geografia, História e Arte. Uma abordagem que abordaremos do ponto de vista da arte da paisagem, mas que necessariamente necessita de suporte histórico e geográfico, para o qual recorreremos a estudos recentes. O espaço geográfico físico não pode ser compreendido sem um espaço cultural e histórico associado. Cultura e história são o resultado da adaptação de uma determinada sociedade a um determinado território em um determinado momento. Para Munárriz (2005), a perspectiva antropológica parte do espaço físico, mas o subordina à sua dimensão cultural, ou seja, como componente básico do ambiente vital em que a história se passa, o lugar onde se desenvolvem formas de vida concretas e específicas. Santacana e Mestre (2009) atribuem à paisagem a qualidade de histórico quando ela mostra em um ou mais elementos constituintes dela, sejam eles diacrônicos ou sincrônicos, evocações ou informações explícitas do passado humano, razão pela qual se tornam um recurso para a conservação do memória coletiva de um acontecimento concreto e significativo. Neste sentido, dividem a paisagem histórica em várias categorias, entre as quais destacamos a Paisagem com património histórico imaterial e a Paisagem com património mítico. Universidade Estadual de Campinas 2020-12-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/14775 10.20396/visuais.v6i2.14775 Revista Visuais; Vol. 6 No. 2 (2020): jul./dez: [11] Expanded borders, shifting territories; 114-128 Revista Visuais; Vol. 6 Núm. 2 (2020): jul./dez: [11] Fronteras ampliadas, territorios cambiantes; 114-128 Revista Visuais; v. 6 n. 2 (2020): jul./dez: [11] Fronteiras ampliadas, territórios movediços; 114-128 2447-1313 spa https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/14775/9770 Spain; Contemporary España; Contemporáneo Espanha; Contemporâneo Copyright (c) 2020 Revista Visuais https://creativecommons.org/licenses/by-nc-nd/4.0 |
| spellingShingle | Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Sánchez Giner, María Victoria Fernández Díaz, Manuel Simbolic landscape Heritage landscape Contemporary art Photographie Paisaje simbólico Paisaje patrimonial Arte contemporáneo Fotografía Paisagem simbólica Paisagem patrimonial Arte contemporânea Fotografia History and memory in the contemporary artistic landscape |
| title | History and memory in the contemporary artistic landscape |
| title_full | History and memory in the contemporary artistic landscape |
| title_fullStr | History and memory in the contemporary artistic landscape |
| title_full_unstemmed | History and memory in the contemporary artistic landscape |
| title_short | History and memory in the contemporary artistic landscape |
| title_sort | history and memory in the contemporary artistic landscape |
| topic | Simbolic landscape Heritage landscape Contemporary art Photographie Paisaje simbólico Paisaje patrimonial Arte contemporáneo Fotografía Paisagem simbólica Paisagem patrimonial Arte contemporânea Fotografia |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/14775 |
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