Moritz Thausing and the art history as a science
In a context of profound changes in university disciplines, Moritz Thausing (1838–1884) stands as a staunch defender of the scientific status of art history, sustaining the possibility of the young discipline to present itself as a solid field of knowledge, based on strict empirical research and in...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2021
|
| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15089 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | In a context of profound changes in university disciplines, Moritz Thausing (1838–1884) stands as a staunch defender of the scientific status of art history, sustaining the possibility of the young discipline to present itself as a solid field of knowledge, based on strict empirical research and in surpassing philosophical speculation and subjective judgments. We present below the translation of this important debate, a conference from 1873 entitled The status of art history as a science. |
|---|---|
| ISSN: | 2675-9829 |