Between Modernism and Tradition: notes on Marie Laurencin's recognition in Brazil and in France

A modern artist also associated with tradition, Marie Laurencin was celebrated in the first half of the 20th century for her idealized images of the feminine. Our aim, in this article, is to discuss the meanings of her artwork within two contexts: in Brazil between the 1940s and 1950s, and in interw...

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Bibliographic Details

Main Authors:	Leme, Letícia Asfora Falabella, Leme, Mariana Gazioli
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2021
Subjects:	Marie Laurencin French painting Modernism Tarsila do Amaral Femininity Whiteness Pintura francesa Modernismo Feminilidade Branquitude
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15115
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