The Cappella del Podestà, the Trionfo della Morte cycle and new ways of depicting the theme of the Last Judgment

This article begins with the observation that the first paintings in which iconographic and compositional changes in the representations of the Last Judgement were made in Tuscany in the 1330s. Analysing the deteriorated cycle painted in the Cappella del Podestà, in Palazzo del Bargello, Florence, a...

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Bibliographic Details
Main Author: Quírico, Tamara
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2021
Subjects:
Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15278
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