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The insufficient museum, the artistic clinic and the receptor’s microperception on Lygia Clark’s Structuring of the Self

This article discusses the challenges faced by traditional museology regarding contemporary art exhibitions, revealing deficiencies and searching for possible paths. For that, it utilizes as an example the Structuring of the Self, Lygia Clark’s last work which stands on the borderline between the at...

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Bibliographic Details
Main Author: Almeida, Eduardo Augusto Alves de
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2021
Subjects:
Brazilian Contemporary Art
Lygia Clark
Art Museums
Psychoanalysis
Clinic
Critique
Arte Contemporânea Brasileira
Museus de Arte
Psicanálise
Clínica
Crítica
Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15313
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Summary:This article discusses the challenges faced by traditional museology regarding contemporary art exhibitions, revealing deficiencies and searching for possible paths. For that, it utilizes as an example the Structuring of the Self, Lygia Clark’s last work which stands on the borderline between the atelier and the psychiatric clinic, exhibited at Pinacoteca do Estado de São Paulo, in 2006, under Suely Rolnik’s trusteeship. Supported on philosophical, psychoanalytic and critical texts, the article analyses that specific case and tries to place it on a much broader dilemma, in vogue, which involves curatorial, artistic and aesthetic reception proposals at contemporary art museums.
ISSN:2675-9829

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