“The special manner that defines my art”: The boarders from the National School of Fine Arts and the artistic scene in Munich in the end of the Nineteenth Century
In the first decade of the Republic, the official artistic teaching in Rio de Janeiro, centered on the National School of Fine Arts (NSFA), has shown a singular openness towards the aesthetic diversity of European art. In this sense, and transcendingthe traditional links with countries like Italy an...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15388 |
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| Summary: | In the first decade of the Republic, the official artistic teaching in Rio de Janeiro, centered on the National School of Fine Arts (NSFA), has shown a singular openness towards the aesthetic diversity of European art. In this sense, and transcendingthe traditional links with countries like Italy and France, some Brazilian artists, funded by the NSFA, or by their own expenses, spent study seasons in the city of Munich, one of the most dynamic artistic centers of the end of the nineteenth century. The present article seeks to discuss the reasons behind the coming of the Brazilian artists to Munich, as well as the marks that the artistic experiences in that city have left to their works. |
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| ISSN: | 2675-9829 |
