Giulio Romano in the editions of Giorgio Vasari’s Vite
Giulio Romano’s stature inside art history was, in great measure, defined by Giorgio Vasari’s Giuntine (1568) version of the Vite. The historiographical review of the artist indicates the persistence, up to the twentieth century, of the judgments given by theAretine biographer on that second edition...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15417 |
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| Summary: | Giulio Romano’s stature inside art history was, in great measure, defined by Giorgio Vasari’s Giuntine (1568) version of the Vite. The historiographical review of the artist indicates the persistence, up to the twentieth century, of the judgments given by theAretine biographer on that second edition. However, the comparative analysis of the two biographies – 1550 and 1568 – reveals great contradictions and significant changes on Vasari’s thinking that enables us to suggest, in the present article, the possibility to effectively review Giulio’s artistic personality and critical reception. |
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| ISSN: | 2675-9829 |
