The “brasiliani” Italians: the role of immigrants in Brazilian artistic dynamics in the 20th century, based on the criticism of Mário Pedrosa
This article aims to verify how Mário Pedrosa observed Italians who immigrated to Brazil in the first half of the 20th century, event that could be seen as a continuation of the migratory dynamics between the two countries, but reconfigured in the mentioned period. It will be observed how Bardi, Arm...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15463 |
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| Summary: | This article aims to verify how Mário Pedrosa observed Italians who immigrated to Brazil in the first half of the 20th century, event that could be seen as a continuation of the migratory dynamics between the two countries, but reconfigured in the mentioned period. It will be observed how Bardi, Armando Balloni, De Fiori, Di Prete, Paolo Rissone, Caetano Fraccaroli and Tiziana Bonazzola are seen in Pedrosa's art criticism, which confirms the acceptance of these Italians who became brasiliani, both because of their stay in the country that welcomed them, but above all because of the way they were inserted in its artistic system. |
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| ISSN: | 2675-9829 |
