Meirelles, Zeferino, Bernardelli and others: the trajectory of the pensioners of the Imperial Academy in Rome
The present article deals with the conception of France as a maximum source of Modernity in the Nineteenth Century, trying to demonstrate that it is historically constructed. The text also aims a better understanding of the artistic trajectory of Brazilian painters and sculptors who complemented the...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/15589 |
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