The proposal for decolonization of the body of the COMPA -Teatro Trono, from El Alto, Bolivia.

This article  wraps around the theatre methodology of  “decolonization of the body” elaborated by the sociologist Ivan Nogales ( in memoriam), during his experience as director and dramatist of the  Teatro do Trono,  from El Alto, Bolivia, since the end o...

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Bibliographic Details
Main Author: Machado, Iara
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2021
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Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/15660
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Summary:This article  wraps around the theatre methodology of  “decolonization of the body” elaborated by the sociologist Ivan Nogales ( in memoriam), during his experience as director and dramatist of the  Teatro do Trono,  from El Alto, Bolivia, since the end of 1980s. Such proposal is about a form  of  resistance and re-existence to the Modern/Colonial project, while it recovers ancestral epistemologies, through a “theatre of memory” and a community art, where many traditions of the classic, modern and popular theatre get mixed, crossing thus the abyssal line imposed by the modernity/coloniality,  through the deconstruction of the imposed imaginaries , in the search of love and liberty found in the possibility of the construction of a social body, obtained through “the  art of hug”.
ISSN:2447-1313