Origin and reflection: my experiences of immanent criticism with popular music
This article presents a synthetic view of my experiences with immanent criticism of popular music. Situated within an academic field in consolidation, and within a specific theoretical lineage outlined in it, these experiences are discussed in the light of the theories and works that motivated them....
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2021
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/15843 |
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| Summary: | This article presents a synthetic view of my experiences with immanent criticism of popular music. Situated within an academic field in consolidation, and within a specific theoretical lineage outlined in it, these experiences are discussed in the light of the theories and works that motivated them. From works elaborated over more than a decade, I have chosen to highlight specific aspects that demonstrate the virtues and limitations of this type of interdisciplinary approach to popular music and, at the same time, explain the theoretical-methodological links which join them together. The theoretical elaboration of these experiences leads to a final reflection on the conditions of criticism itself. |
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| ISSN: | 2316-7858 |
