Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city

This article discusses the film Breve miragem de sol (Rocha, 2019) within the emerging field of ‘night studies’ (Kyba et al 2020), transdisciplinary field of study that addresses aspects of human experience often neglected by a focus dominated by a daytime perspective. Its starting point is the conc...

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Autor principal: Brandellero, Sara
Formato: Online
Lenguaje:portugués
Publicado: Universidade Estadual de Campinas 2021
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Acceso en línea:https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/15919
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author Brandellero, Sara
Brandellero, Sara
Brandellero, Sara
author_facet Brandellero, Sara
Brandellero, Sara
Brandellero, Sara
author_sort Brandellero, Sara
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference Revista Visuais; Vol. 7 No. 2 (2021): Temporalities and bifurcations; 91-107
description This article discusses the film Breve miragem de sol (Rocha, 2019) within the emerging field of ‘night studies’ (Kyba et al 2020), transdisciplinary field of study that addresses aspects of human experience often neglected by a focus dominated by a daytime perspective. Its starting point is the concept of night as ‘frontier’ (Melbin, 1978), which problematizes the commercialization and colonization of the night time-space, and the concept of spectrality in the everyday (Blanco & Peeren, 2010), to discuss the representation of Paulo (Fabrício Boliveira), nighttime taxi driver who, while the city ‘sleeps’, unveils the invisible side of the 24-hour city.
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spelling ojs-article-159192022-06-13T17:02:55Z Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city Mobilidad nocturna en el cine brasileño contemporaneo : espectralidades en la ciudad 24-horas Mobilidade noturna no cinema brasileiro contemporâneo : espectralidades na cidade 24-horas Brandellero, Sara Brandellero, Sara Brandellero, Sara Night studies Road movies Mobility Estudios sobre la noche Road movies Mobilidad Estudos da noite Road movies Mobilidade This article discusses the film Breve miragem de sol (Rocha, 2019) within the emerging field of ‘night studies’ (Kyba et al 2020), transdisciplinary field of study that addresses aspects of human experience often neglected by a focus dominated by a daytime perspective. Its starting point is the concept of night as ‘frontier’ (Melbin, 1978), which problematizes the commercialization and colonization of the night time-space, and the concept of spectrality in the everyday (Blanco & Peeren, 2010), to discuss the representation of Paulo (Fabrício Boliveira), nighttime taxi driver who, while the city ‘sleeps’, unveils the invisible side of the 24-hour city. Este artículo discute la película Breve miragem de sol (Rocha, 2019) dentro del campo teórico emergente de los ‘estudios de la noche’ (Kyba et al 2020), campo transdiciplinar dirigido para aspectos de la experiencia humana muchas vezes negligenciados por un enfoque preponderantemente dirigido a la existencia diurna. El punto de partida es el concepto de la noche como ‘frontera’ (Melbin, 1978), que problematiza la comercialización y colonización del tempo-espacio de la noche, y el concepto de espectralidad en el contexto de lo cotidiano (Blanco & Peeren, 2010), para discutir la representación de Paulo (Fabrício Boliveira), taxista noturno que, en cuanto la ciudad ‘duerme’, nos revela el lado invisible de la ciudad 24-horas. Este artigo discute o filme Breve miragem de sol (Rocha, 2019) dentro do emergente campo teórico dos ‘estudos da noite’ (Kyba et al 2020), campo transdiciplinar voltado para aspectos da experiência humana muitas vezes negligenciados pela atenção preponderantemente dirigida à existência diurna. O ponto de partida é o conceito da noite como ‘fronteira’ (Melbin, 1978), que problematiza a comercialização e colonização do tempo-espaço da noite, e o conceito de espectralidade no contexto do cotidiano (Blanco & Peeren, 2010), para discutir a representação de Paulo (Fabrício Boliveira), taxista noturno que, enquanto a cidade ‘dorme’, nos desvenda o lado invisível da cidade 24-horas. Universidade Estadual de Campinas 2021-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/15919 10.20396/visuais.v7i2.15919 Revista Visuais; Vol. 7 No. 2 (2021): Temporalities and bifurcations; 91-107 Revista Visuais; Vol. 7 Núm. 2 (2021): Temporalidades y bifurcaciones; 91-107 Revista Visuais; v. 7 n. 2 (2021): Temporalidades e bifurcações; 91-107 2447-1313 por https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/15919/10772 Brazil; Contemporary Brasil; Contemporáneo Brasil; Contemporâneo Copyright (c) 2021 Revista Visuais https://creativecommons.org/licenses/by-nc-nd/4.0
spellingShingle Brandellero, Sara
Brandellero, Sara
Brandellero, Sara
Night studies
Road movies
Mobility
Estudios sobre la noche
Road movies
Mobilidad
Estudos da noite
Road movies
Mobilidade
Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title_full Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title_fullStr Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title_full_unstemmed Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title_short Night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
title_sort night-time mobility in contemporary brazilian cinema: spectralities in the 24-hour city
topic Night studies
Road movies
Mobility
Estudios sobre la noche
Road movies
Mobilidad
Estudos da noite
Road movies
Mobilidade
url https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/15919
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