Studio audio art, editable music and discursivity: propositions to think about the sound of a record
The article aims to present possible methodological paths for the analysis of recorded popular music, taking into account its trans-disciplinary character. Beginning from the notion of “studio audio art”, proposed by Turino (2008), and from the concept of “montage music”, created by Molina (2017), t...
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| Main Authors: | , |
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| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2022
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/muspop/article/view/15958 |
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