The audience(s) of an engaged popular artist. Bernard Lavilliers and the meaning of postmodernity
In the French intellectual tradition, engaged social song has long been counter-power. With changes in artistic production, modern song engaged in an economic-industrial-technical-commercial process. Would the French tradition of engaged song have disappeared with the new media? Would the commodific...
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| Main Author: | Mabilon-Bonfils, Béatrice |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2010
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16422 |
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