The audience(s) of an engaged popular artist. Bernard Lavilliers and the meaning of postmodernity

In the French intellectual tradition, engaged social song has long been counter-power. With changes in artistic production, modern song engaged in an economic-industrial-technical-commercial process. Would the French tradition of engaged song have disappeared with the new media? Would the commodific...

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Bibliographic Details

Main Author:	Mabilon-Bonfils, Béatrice
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2010
Subjects:	Sociologia de públicos Recepção social Canção engajada Política Concertos Sociology of publics Social reception Engaged song policy Concerts Sociología de los públicos Recepción social Canción comprometida política Conciertos
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16422
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