Cover Image

To the west, nothing new: notes for an archaeology of exhibitions with reference to Documenta

The article discusses the last three editions of documenta (1997, 2002, 2007), especially the relationship between the effects of cultural globalisation on this international mega-exhibition and the town of Kassel, where the show, considered the leading contemporary art exhibition of the "bienn...

Full description

Saved in:

Bibliographic Details
Main Author:	Spricigo, Vinicius
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2012
Subjects:	Documenta de Kassel Globalização cultural Exposições internacionais Arte e imagem contemporânea Globalización cultural Exposiciones internacionales Arte e imagen contemporáneos Documenta in Kassel Cultural globalization International exhibitions Contemporary art and image
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16474
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

A recurring occurrence: biennials and perennial exhibitions of contemporary art
by: Zacarias, Gabriel Ferreira, et al.
Published: (2021)

Denying History, Exporting the Myth: dOCUMENTA(13) between Kassel and Kabul
by: Zacarias, Gabriel Ferreira, et al.
Published: (2021)

Sobre as ruínas das exposições: impasses globais e crítica institucional na Documenta11 e na 25ª Bienal de São Paulo
by: Machado de Jesus, Tiago, et al.
Published: (2026)

The origin of large scale international exhibitions and the art from Brazil in Britain
by: Spricigo, Vinicius, et al.
Published: (2021)

d is for democracy? : documenta and the Politics of Abstraction between Aryanization and Americanization
by: Buurman, Nanne, et al.
Published: (2021)

Sympathy or strategy? a close look at the Belgian exhibitions of modern and contemporary art organized in Argentina in 1946 and 1948
by: Dhaenens, Laurens, et al.
Published: (2023)

“África Arte Negra” in Brazil: exhibitions, diplomacy, and the imaginary of Africa in Brazil
by: Dardashti, Abigail Lapin, et al.
Published: (2024)

Art, gender and cultural identity: reflections from an Inuit exhibition in São Paulo
by: Goldstein, Ilana Seltzer, et al.
Published: (2008)

Paris’ Biennale (1959-85): an impossible encounter between the French State and the avant-garde art scene
by: Glicenstein , Jérôme, et al.
Published: (2021)

Anthropocene exhibitions in the global south: dialogues between art and science
by: Melo, Natália Nascimento e, et al.
Published: (2023)

Art Exhibition at MASP, Lia D Castro: everywhere and nowhere
by: Mucinic, Daniela, et al.
Published: (2025)

Curatorial processes and exhibitions of indigenous arts in/of Latin America
by: Goldstein, Ilana Seltzer, et al.
Published: (2024)

Art histories and indigenous visualities
by: Oliveira, Emerson Dionisio Gomes de, et al.
Published: (2024)

Da Amazonia à Sapucaí: pela transformabilidade da história da arte
by: Oliveira, Emerson Dionisio Gomes de, et al.
Published: (2026)

Intertwined histories: An overview of the African art exhibitions at MASP
by: Ribeiro da Silva Bevilacqua, Juliana, et al.
Published: (2022)

Dazzlements and reversals: indigenous arts and exibitions
by: Velthem, Lucia Hussak van, et al.
Published: (2024)

Experimentalismo e estratégia: o projeto arte / cidade e a Secretaria de Estado da Cultura de São Paulo
by: Souza , Gabriel Girnos Elias de
Published: (2007)

The impact of the Exhibit of the School of Arts and Crafts held in 1882
by: Silva, Maria Antonia Couto da, et al.
Published: (2021)

Ôrí and the voices and the look of the diaspora : cartography of political emotions
by: Alexandre Sobrinho, Gilberto, et al.
Published: (2021)

Atlantic crossings and “Negro art”: contexts, collections and challenges
by: O’Neill , Elena, et al.
Published: (2022)

The faces of Brazil: Brazil Builds’exhibition tour abroad and the racial paradigm
by: Serviddio, Fabiana, et al.
Published: (2024)

A “general exhibition” outside the Imperial Academy of Fine Arts: the catalog of the 1882’s Exhibition at the “Liceu de Artes e Ofícios” in Rio de Janeiro
by: Novelli Duro, Fabriccio Miguel, et al.
Published: (2024)

The social space of contemporary art and the works in situ in periodic exhibitions: Daniel Buren's indications
by: Machado, Tiago, et al.
Published: (2021)

The "global turn" as a disciplinary future for art history
by: Tatsch, Flavia Galli, et al.
Published: (2021)

Scene and visuality : about the place of the art exhibition in recent days
by: Castillo, Sonia Salcedo del, et al.
Published: (2023)

Feminisms in expanded fields: 50 years after “why have there been no great women artists” what are the impacts of feminism beyond the hegemonic centers?
by: Simioni, Ana Paula Cavalcanti, et al.
Published: (2023)

Latin America in context
by: Gonçalves, Lisbeth Ruth Rebollo, et al.
Published: (2021)

Contact zone in ruins: silencing and memories from the Colonial Exhibition of Naples in 1940
by: Silva, João Pedro Rangel Gomes da, et al.
Published: (2024)

International standards on the preservation of the historical and cultural heritage (1931 – 2003)
by: Ferreira, Ian, et al.
Published: (2020)

O voo sobre as igrejas e outros lugares: quem decide o que é patrimônio cultural?
by: Malta, Marize, et al.
Published: (2025)

Roser Bru’s exhibition at MAM Rio in 1964: art and cultural relations between Brazil and Chile
by: Cardoso, Renata Gomes, et al.
Published: (2024)

New Age & Neo-Hinduism: a two-way street in cultural relations between West and East
by: Silveira, Marcos Silva da, et al.
Published: (2005)

The educational possibilities of Franklin Cascaes' work: vulnerable aspects
by: Rocha , Julia, et al.
Published: (2024)

Hanna Bekker vom Rath and the exhibitions of German Art in Brazil
by: Sacchettin, Priscila, et al.
Published: (2025)

Latin American art among distant neighbours and radical women
by: Marques, Cristiélen Ribeiro, et al.
Published: (2021)

Indigenous art in the Brazilian Pavilion at the Venice Biennale: from “speaking for” to “speaking with”
by: Simões, Gabrieli Priscila, et al.
Published: (2025)

Circulations and Geopolitics in the Visual Arts
by: Jaremtchuk, Dária, et al.
Published: (2024)

Expose the sacred: the case of the Tupinambá Cape at the Kwá Yepé Turusú Yuriri Assojaba Tupinambá exhibition
by: Caffé, Juliana, et al.
Published: (2023)

Origins of the Crucified Christ in Portugal: Bom Jesus de Matosinhos
by: Valle, Marco Antonio Alves do
Published: (2008)

Cultural vocation and identity of the people from Cataguases: Cultural vocation and identity of the people from Cataguases
by: Cruz, Inácio Manoel Neves Frade da, et al.
Published: (2024)