Cover Image

An art critic in transit: the multiple roles played by Mário Pedrosa in the Brazilian artistic field

Mário Pedrosa was recognised for his contribution to the development of Brazilian art criticism and also for his political activism. Although he stood out for his work in these two fields, he also played a central role in the formation of a group of artists in Rio de Janeiro and in the debates betwe...

Full description

Saved in:

Bibliographic Details
Main Author:	Formiga, Tarcila Soares
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2012
Subjects:	Mário Pedrosa Crítica de arte Arte concreta Arte concreto Art critique Concrete art
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16476
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Toward a Common Configurative Impulse
by: Cabañas, Kaira M., et al.
Published: (2021)

Ponto, linha, olho e plano: a aproximação de Mário Pedrosa à Gestalt
by: Abraços, Gabriela Borges
Published: (2014)

Mário Pedrosa's chilean exile: solidarity, popular art and community vocation
by: Paladino, Luiza Mader, et al.
Published: (2021)

The “brasiliani” Italians: the role of immigrants in Brazilian artistic dynamics in the 20th century, based on the criticism of Mário Pedrosa
by: Rodrigues, Rodrigo Vicente, et al.
Published: (2021)

Dialogues between Mário Pedrosa’s art criticism and the exhibitions of the works by inmates of psychiatric hospitals in Brazil (1947 – 1952)
by: Inda, Sofia, et al.
Published: (2023)

Pedrosa, Pollock e a Arte Japonesa
by: Rosa, Marcos Pedro Magalhães
Published: (2019)

O horizonte da utopia como meio de ação real em Mário Pedrosa e seus possíveis desdobramentos no século XXI
by: Rodrigues, Rodrigo Vicente
Published: (2026)

The Chilean Letters of Mario Pedrosa
by: Villas Bôas , Glaucia, et al.
Published: (2023)

A critical controversy : a critical controversy
by: Varela, Elizabeth Catoia, et al.
Published: (2021)

Brasil, Arte e Origem: do Museu das Origens à Galeria Mário Pedrosa
by: Nascimento, Gabrielle
Published: (2019)

A bienal de 1961: a atuação de Mário Pedrosa
by: Hoffmann, Ana Maria Pimenta
Published: (2011)

Do quadro-objeto cubista ao não-objeto neoconcretista: uma análise a partir das leituras de Ferreira Gullar e Mário Pedrosa
by: Almeida, Diogo Vieira de
Published: (2011)

Piet Mondrian and brazilian neoconcretism: the constitution of a narrative through the art criticism of Mário Pedrosa and Ferreira Gullar
by: Gontijo, Bruno Henrique Fernandes, et al.
Published: (2023)

Os trotskistas e sua contribuição à interpretação do Brasil
by: Silva, Michel Goulart da
Published: (2024)

Objetividade, estrutura e correspondência entre os campos do conhecimento
by: Mari, Marcelo
Published: (2006)

O bailado do olhar: os móbiles de Calder e as apreensões gestálticas da obra de arte
by: Abraços, Gabriela Borges
Published: (2015)

Indigenous cultural production and Art History in Brazil: Exhibitions and their statements (part I - Alegria de Viver, Alegria de Criar)
by: Reinaldim, Ivair
Published: (2019)

The Extraordinary Congress of AICA (1959) in the newspaper Correio da Manhã: New City – Synthesis of the Arts
by: Gontijo, Bruno Henrique Fernandes, et al.
Published: (2025)

Question to reaffirm : Reflections on the curatorial and political “rolezinho” of the 33rd São Paulo Biennial
by: Diniz, Clarissa
Published: (2019)

The Educational Path of Mário Barata (1939–1969): experiences and conceptions of Art History in Brazil
by: Barros, Sarah Jansen, et al.
Published: (2025)

A participação de Mario Schenberg na XI Bienal (1971)
by: Pismel, Ana Paula Cattai
Published: (2013)

Araras Vermelhas by Cida Pedrosa as Poetical Inventory of the Araguaia Guerrilla
by: Coimbra, Rosicley Andrade, et al.
Published: (2024)

As primeiras fichas do modernista Mário de Andrade
by: Figueiredo, Tatiana Longo
Published: (2015)

Curtos-circuitos na correspondência Mário de Andrade e Manuel Bandeira
by: Moraes, Marcos Antonio de
Published: (2015)

Mário de Andrade cronista de São Paulo nos primórdios do modernismo
by: Lopez, Telê Ancona
Published: (2015)

The poet-critic Mario Faustino’s long essays
by: Fernandes, João Moura, et al.
Published: (2022)

A double exclusion: Judith Lauand and Jandyra Waters, between concretism, mysticisms and possible feminisms
by: Trizoli, Talita, et al.
Published: (2021)

Mário de Andrade and the apocalypse of images
by: Sterzi, Eduardo, et al.
Published: (2019)

The concrete art of Sao Paulo and its art collecting
by: Sandes, Luiz Fernando Silva, et al.
Published: (2023)

Classical Tradition and Art Historiography in the book Padre Jesuíno do Monte Carmelo by Mário de Andrade
by: Salomão, Myriam
Published: (2020)

Tradition and modernity: Mário de Andrade's incomplete utopia
by: Barbato Junior, Roberto, et al.
Published: (2001)

Considerations of the participation of Mario Schenberg at the 10th Biennial of Sao Paulo
by: Schroeder, Caroline Saut, et al.
Published: (2021)

Paisagens de Mário Bueno no acervo da UNICAMP
by: Duarte , Juliana de Sá Almeida
Published: (2009)

Retratos de Mário de Andrade: catálogo da iconografia dedicada ao escritor
by: Romão, Tameny
Published: (2010)

As danças populares na obra de Mário de Andrade
by: Paula, Roberta Cristina de
Published: (2013)

Sobre o experimental na arte e o debate museal no Brasil (1960-1970): considerações de Mário Pedrosa, Frederico Morais e Walter Zanini
by: Silva, Rafael da
Published: (2026)

History of the School of Application at FEUSP (1976-1986) : José Mário Pires Azanha's contribution to school culture
by: Gordo, Nívia, et al.
Published: (2021)

Imploding coloniality: the scientific production of black artists in/of contemporary brazilian art
by: Marcondes, Guilherme, et al.
Published: (2022)

Is this "thing" art? : Afro-Brazilian religions, material culture and criticism
by: Conduru, Roberto
Published: (2019)

When new youths enters in the scene: modernist social learning in the correspondence between Mário de Andrade and the Verde group
by: Mello, João Camargo de Albuquerque, et al.
Published: (2023)