Musicking and acoustemology on lofi hip hop
This article proposes to conduct a dialogue between the concepts: “Musicking” by Christopher Small (1998) and “Acoustemology” by Steven Feld (2020a), as of the artistic sound expression lofi hip hop. The encounter of these two authors and their concepts appear as a theoretical and methodological con...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2023
|
| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16596 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | This article proposes to conduct a dialogue between the concepts: “Musicking” by Christopher Small (1998) and “Acoustemology” by Steven Feld (2020a), as of the artistic sound expression lofi hip hop. The encounter of these two authors and their concepts appear as a theoretical and methodological contribution of reflection on my experience of digital ethnography carried out between the years 2018 to 2021 in the networks that attribute meaning and significance to lofi hip hop. Through the ethnographic reporting, interviews, news and videos comments, I seek to argue that musicking lofi hip hop engages listeners to become bedroom producers, even if this one has no prior musical knowledge, because through its relationship with non-human agents is constructed a knowing-with and a knowing-through this practice.
|
|---|---|
| ISSN: | 2175-6015 |