Shahr-e No by Kavesh Golestan: a possible reading of the religious and political dimensions of photographs of women prostitutes (Iran, Iran, 1975-1977)

This article discusses Kaveh Golestan’s album Shahr-e No as a testimony to the impoverished living conditions of women in prostitution. We understand his photos as a political discourse and criticism of the Pahlavi Dynasty. However, we treat the use of veil in some poses as a representation of the h...

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Bibliographic Details

Main Authors:	Ricci Molina, Ana Maria, Barbosa, Francirosy Campos
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2022
Subjects:	Prostituição Religião Gênero Fotografia Prostitution Religion Gender Photography Prostituci´ón Religión Género Fotografía
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16601
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