“Filming Back” in siberian indigenous cinema: cinematographic re-appropriation strategies in the work of Anastasia Lapsui and Markku Lehmuskallio

This paper examines the Siberian films by Anastasia Lapsui and Markku Lehmuskallio. It focuses on filmic means em-ployed in order to “film back” to outsider cinema. Applying film analysis as a method, it demonstrates how film form can be as political as content when used to give voice to Siberia ind...

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