Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté
In this article, I do a film analysis of two preliminary versions of an unfinished film by the indigenous filmmaker Guarani-Mbyá Patrícia Ferreira Pará Yxapy. The film, titled Pará Reté, is about her mother, daughter and grandmother. Even though unfinished, these work in progress cuts have already b...
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| Language: | Portuguese |
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Universidade Estadual de Campinas
2022
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16615 |
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| author | Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira |
| author_facet | Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira |
| author_sort | Pinheiro, Sophia Ferreira |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | PROA: Revista de Antropologia e Arte; Vol. 11 No. 1 (2021): Indigenous cinema: past, present and future; 182–216 |
| description | In this article, I do a film analysis of two preliminary versions of an unfinished film by the indigenous filmmaker Guarani-Mbyá Patrícia Ferreira Pará Yxapy. The film, titled Pará Reté, is about her mother, daughter and grandmother. Even though unfinished, these work in progress cuts have already been shown in some exhibitions and festivals. Evoking Claudia Mesquita’s concept of “filme-proces-so” (“Process-film”), I trace how everyday life and intimacy are inseparable from the process of making this film, as it also points to one of the particularities of the cinema made by indigenous women. I intend to demonstrate the different circumstances, characteristics of Patrícia’s work and how her film happens along with life, in order to meditate on her filmmaking process based on the her relationships with the characters and her dialogue with the Vídeo nas Aldeias crew. |
| first_indexed | 2025-10-08T14:31:01Z |
| format | Online |
| id | ojs-article-16615 |
| institution | Universidade Estadual de Campinas |
| issn | 2175-6015 |
| language | por |
| last_indexed | 2025-10-08T14:31:01Z |
| publishDate | 2022 |
| publisher | Universidade Estadual de Campinas |
| record_format | ojs |
| spelling | ojs-article-166152023-02-13T20:14:22Z Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté Generaciones en escena, filmando con mujeres Mbyá-Guarani: el proceso-película Pará Reté Gerações em cena, filmar com mulheres Mbyá-Guarani: o filme-processo Pará Reté Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Cine femenino indígena Cine indígena Mujeres indígenas Mulheres cineastas Indigenous cinema Indigenous women's cinema Indigenous women Women filmmakers Cinema indígena Cinema indígena feminino Mulheres indígenas Mulheres cineastas In this article, I do a film analysis of two preliminary versions of an unfinished film by the indigenous filmmaker Guarani-Mbyá Patrícia Ferreira Pará Yxapy. The film, titled Pará Reté, is about her mother, daughter and grandmother. Even though unfinished, these work in progress cuts have already been shown in some exhibitions and festivals. Evoking Claudia Mesquita’s concept of “filme-proces-so” (“Process-film”), I trace how everyday life and intimacy are inseparable from the process of making this film, as it also points to one of the particularities of the cinema made by indigenous women. I intend to demonstrate the different circumstances, characteristics of Patrícia’s work and how her film happens along with life, in order to meditate on her filmmaking process based on the her relationships with the characters and her dialogue with the Vídeo nas Aldeias crew. En este artículo hago un análisis fílmico de dos cortes de una película inacabada de la cineasta indígena mbyá-guaraní Patrícia Ferreira Pará Yxapy, la película Pará Reté, sobre su madre, su hija y su abuela. Aún sin terminar, los cortes ya se han mostrado en algunas exposiciones y festivales. Evocando el concepto de "cine de proceso", rastreo cómo la vida cotidiana y la intimidad son inseparables del proceso de realización de esta película y señalo una de las especificidades del cine indígena hecho por mujeres. Trato de mostrar las diferentes circunstancias, características del trabajo de Patrícia y de su película que sucede junto a la vida, para reflexionar sobre el proceso de creación de su película a partir de sus relaciones con los personajes y el diálogo con el equipo de Video en las Aldeas. Neste artigo faço a análise fílmica de dois cortes de um filme inacabado da cineasta indígena Mbyá-Guarani Patrícia Ferreira Pará Yxapy, o filme Pará Reté, sobre sua mãe, sua filha e sua avó. Mesmo inacabado, os cortes já foram exibidos em algumas mostras e festivais. Evocando o conceito de “filme-processo”, traço como o cotidiano e a intimidade são indissociáveis do processo de realização desse filme e apontam para uma das especificidades do cinema indígena feito por mulheres. Procuro demonstrar as diferentes circunstâncias, características do trabalho de Patrícia e de seu filme que acontece junto com a vida, de maneira a refletir sobre o processo de criação do seu filme a partir das relações dela com as personagens e do diálogo com a equipe do Vídeo nas Aldeias. Universidade Estadual de Campinas 2022-07-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Avaliado pelos pares Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16615 10.20396/proa.v11i1.16615 PROA: Revista de Antropologia e Arte; Vol. 11 No. 1 (2021): Indigenous cinema: past, present and future; 182–216 PROA: Revista de Antropologia e Arte; Vol. 11 Núm. 1 (2021): Cine indígena: pasado, presente y futuro; 182–216 Proa: Revista de Antropologia e Arte; v. 11 n. 1 (2021): Cinema indígena: passado, presente e futuro; 182–216 2175-6015 por https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16615/11434 Brazil; Contemporary Brasil; Contemporáneo Brasil; Contemporâneo Copyright (c) 2021 Proa: Revista de Antropologia e Arte https://creativecommons.org/licenses/by/4.0/ |
| spellingShingle | Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Pinheiro, Sophia Ferreira Cine femenino indígena Cine indígena Mujeres indígenas Mulheres cineastas Indigenous cinema Indigenous women's cinema Indigenous women Women filmmakers Cinema indígena Cinema indígena feminino Mulheres indígenas Mulheres cineastas Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title | Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title_full | Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title_fullStr | Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title_full_unstemmed | Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title_short | Generations on stage, filming with Mbyá-Guarani women: the process of making Pará Reté |
| title_sort | generations on stage, filming with mbyá-guarani women: the process of making pará reté |
| topic | Cine femenino indígena Cine indígena Mujeres indígenas Mulheres cineastas Indigenous cinema Indigenous women's cinema Indigenous women Women filmmakers Cinema indígena Cinema indígena feminino Mulheres indígenas Mulheres cineastas |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16615 |
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