The street language in the theaters by Nelson Rodrigues and Plínio Marcos
The article details Nelson Rodrigues' nasty theater project and Plínio Marcos' marginal characters in the light of a procedure used by both playwrights in their texts for the stage: street language. Through the analysis of certain critiques of the authors' plays, we highlight the func...
Saved in:
| Main Author: | |
|---|---|
| Format: | Online |
| Language: | Portuguese |
| Published: |
Universidade Estadual de Campinas
2017
|
| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/16800 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The article details Nelson Rodrigues' nasty theater project and Plínio Marcos' marginal characters in the light of a procedure used by both playwrights in their texts for the stage: street language. Through the analysis of certain critiques of the authors' plays, we highlight the functioning of legitimating instances and underline the role that street language assumes for their artistic validation. Through the apprehension of the idea of what is behind a theatrical success, we examine the meaning of marginality, both for an author who practically founded the Brazilian theatrical modernity, and for another who changed the map of the realist experiences until then performed on the country's stages. |
|---|---|
| ISSN: | 2175-6015 |
