Arts and festivity: an emphasis on "entrudo" day and the marimba in Debret's watercolors
Festivals are fields of distinct approaches for research in several areas of the humanities. This article aims to highlight the importance of the pictorial records of French artist Jean-Baptiste Debret (1768-1848) during his stay in Brazil from 1816 to 1831, focusing on Dia d'entrudo and the ma...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2019
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17259 |
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| Summary: | Festivals are fields of distinct approaches for research in several areas of the humanities. This article aims to highlight the importance of the pictorial records of French artist Jean-Baptiste Debret (1768-1848) during his stay in Brazil from 1816 to 1831, focusing on Dia d'entrudo and the marimba. In this path, the analysis will be through the watercolors Dia d'entrudo (Carnival) (1823); Passeio de domingo à tarde (1826) and Viola d'Angola. Music of the blacks (1820-1830). Thus, we will begin our discussion on the entrudo feast, represented by Debret, in which the artist reveals through his point of view the exuberance of festivity and colors in the tropics. |
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| ISSN: | 2175-6015 |
