Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production

This article investigates the correspondences found between Cristiano Lenhardt's contemporary artworks and the thematic trends announced by the anthropological discipline. Based on the two and three-dimensional pieces Betray the species (2014-2016), Broto cartas (2017) and Cobra desenhadora (20...

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Main Author: Andrade Neto, Alberto Luiz de
Format: Online
Language:Portuguese
Published: Universidade Estadual de Campinas 2018
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Online Access:https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17596
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author Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
author_facet Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
author_sort Andrade Neto, Alberto Luiz de
collection Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais
container_reference PROA: Revista de Antropologia e Arte; Vol. 8 No. 2 (2018): Artes em Festas: corpos em movimento; 204-232
description This article investigates the correspondences found between Cristiano Lenhardt's contemporary artworks and the thematic trends announced by the anthropological discipline. Based on the two and three-dimensional pieces Betray the species (2014-2016), Broto cartas (2017) and Cobra desenhadora (2017), and together with a referential of Anthropology, I produce a series of reflections that identify in these Contemporary Art productions lines of dialogue with this other area of knowledge. I could notice that the relations between the "self" and the "other", the discussions about Nature and Culture, the themes of symbolic efficacy, materials and indigenous cosmologies are present in Lenhardt's horizon of interests. In the end, I briefly problematize the subjectivation that dialogues with the themes worked by the artist himself in his production and, at the same time, I realize that they form his identity as a subject in the world.
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spelling ojs-article-175962023-04-10T17:40:30Z Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production Traicionar a la especie, las tarjetas Broto y la serpiente de diseño: reflexiones sobre la antropología en la producción artística de Cristiano Lenhardt Trair a espécie, as Broto Cartas e a Cobra Desenhadora: reflexões da antropologia na produção artística de Cristiano Lenhardt Andrade Neto, Alberto Luiz de Andrade Neto, Alberto Luiz de Andrade Neto, Alberto Luiz de Antropología Arte contemporáneo Artes visuales Etnología indígena Anthropology Contemporary art Visual arts Indigenous ethnology Antropologia Arte contemporânea Artes visuais Etnologia indígena This article investigates the correspondences found between Cristiano Lenhardt's contemporary artworks and the thematic trends announced by the anthropological discipline. Based on the two and three-dimensional pieces Betray the species (2014-2016), Broto cartas (2017) and Cobra desenhadora (2017), and together with a referential of Anthropology, I produce a series of reflections that identify in these Contemporary Art productions lines of dialogue with this other area of knowledge. I could notice that the relations between the "self" and the "other", the discussions about Nature and Culture, the themes of symbolic efficacy, materials and indigenous cosmologies are present in Lenhardt's horizon of interests. In the end, I briefly problematize the subjectivation that dialogues with the themes worked by the artist himself in his production and, at the same time, I realize that they form his identity as a subject in the world. Este artigo investiga as correspondências encontradas entre as obras de arte contemporânea de Cristiano Lenhardt e as tendências temáticas anunciadas pela disciplina antropológica. A partir de las piezas bidimensionales y tridimensionales Betray the species (2014-2016), Broto cartas (2017) y Cobra desenhadora (2017), y junto a un referencial de Antropología, produzco una serie de reflexiones que identifican en estas producciones de Arte Contemporáneo líneas de diálogo con esta otra área de conocimiento. Pude constatar que las relaciones entre el "yo" y el "otro", las discusiones sobre Naturaleza y Cultura, los temas de la eficacia simbólica, los materiales y las cosmologías indígenas están presentes en el horizonte de intereses de Lenhardt. Al final, problematizo brevemente la subjetivación que dialoga con los temas trabajados por el propio artista en su producción y, al mismo tiempo, me doy cuenta de que forman su identidad como sujeto en el mundo. Este artigo investiga as correspondências encontradas entre os trabalhos artísticos contemporâneos de Cristiano Lenhardt e as tendências temáticas anunciadas pela disciplina antropológica. A partir das peças bi e tridimensionais Trair a espécie (2014-2016), Broto cartas (2017) e Cobra desenhadora (2017), e junto de um referencial da Antropologia, produzo uma série de reflexões que identificam nessas produções de Arte Contemporânea linhas de diálogo com essa outra área do conhecimento. Pude perceber que as relações entre o “eu” e o “outro”, as discussões sobre Natureza e Cultura, as temáticas da eficácia simbólica, dos materiais e das cosmologias indígenas estão presentes no horizonte de interesses de Lenhardt. Ao final, brevemente, problematizo a subjetivação que dialoga com as temáticas trabalhadas pelo próprio artista em sua produção e, ao mesmo tempo, percebo que elas são formadoras de sua identidade enquanto sujeito no mundo. Universidade Estadual de Campinas 2018-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Avaliado pelos pares Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17596 10.20396/proa.v8i2.17596 PROA: Revista de Antropologia e Arte; Vol. 8 No. 2 (2018): Artes em Festas: corpos em movimento; 204-232 PROA: Revista de Antropologia e Arte; Vol. 8 Núm. 2 (2018): Artes em Festas: corpos em movimento; 204-232 Proa: Revista de Antropologia e Arte; v. 8 n. 2 (2018): Artes em Festas: corpos em movimento; 204-232 2175-6015 por https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17596/12303 Brazil; Contemporary Brasil; Contemporáneo Brasil; Contemporâneo Copyright (c) 2023 Alberto Luiz de Andrade Neto https://creativecommons.org/licenses/by/4.0
spellingShingle Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
Andrade Neto, Alberto Luiz de
Antropología
Arte contemporáneo
Artes visuales
Etnología indígena
Anthropology
Contemporary art
Visual arts
Indigenous ethnology
Antropologia
Arte contemporânea
Artes visuais
Etnologia indígena
Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title_full Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title_fullStr Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title_full_unstemmed Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title_short Betraying the species, the Broto Cards and the Designer Snake: reflections from anthropology in Cristiano Lenhardt's artistic production
title_sort betraying the species, the broto cards and the designer snake: reflections from anthropology in cristiano lenhardt's artistic production
topic Antropología
Arte contemporáneo
Artes visuales
Etnología indígena
Anthropology
Contemporary art
Visual arts
Indigenous ethnology
Antropologia
Arte contemporânea
Artes visuais
Etnologia indígena
url https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17596
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