The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe
The text proposes, in its first part, a reflective scenario concerning the problem of human catastrophe in the anthropocene logic. The narrative steps run through the territory of the body and the relationships between presence and absence, between human and non-human, between belonging and displace...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2025
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17855 |
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| author | Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de |
| author_facet | Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de |
| author_sort | Gomes Neto, José Joaquim |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | PROA: Revista de Antropologia e Arte; Vol. 14 (2024): Publicação Contínua; e024013 |
| description | The text proposes, in its first part, a reflective scenario concerning the problem of human catastrophe in the anthropocene logic. The narrative steps run through the territory of the body and the relationships between presence and absence, between human and non-human, between belonging and displacement. This route inspired the territory for the visual essay of the second part, in which we presented four photographs that made up the visual essay called “Desvanecer”, as well as the narrative of the experience of carrying it out. The Bunker Collective presents, through this essay, the way in which it has reflected on current issues, using the bodies of artists placed in relation to one another, and in this case the relationship is overflowing. |
| first_indexed | 2025-10-08T14:31:37Z |
| format | Online |
| id | ojs-article-17855 |
| institution | Universidade Estadual de Campinas |
| issn | 2175-6015 |
| language | por |
| last_indexed | 2025-10-08T14:31:37Z |
| publishDate | 2025 |
| publisher | Universidade Estadual de Campinas |
| record_format | ojs |
| spelling | ojs-article-178552025-02-28T11:50:24Z The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe Los fantasmas ya estaban tristes: un diálogo entre Arte y Antropología Visual sobre la vida frente a la catástrofe Os fantasmas já eram tristes: um diálogo entre Arte e Antropologia Visual no olhar da vida diante da catástrofe Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Cuerpo Paisaje Relación Catástrofe Body Landscape Relationship Catastrophe Corpo Paisagem Relação Catástrofe The text proposes, in its first part, a reflective scenario concerning the problem of human catastrophe in the anthropocene logic. The narrative steps run through the territory of the body and the relationships between presence and absence, between human and non-human, between belonging and displacement. This route inspired the territory for the visual essay of the second part, in which we presented four photographs that made up the visual essay called “Desvanecer”, as well as the narrative of the experience of carrying it out. The Bunker Collective presents, through this essay, the way in which it has reflected on current issues, using the bodies of artists placed in relation to one another, and in this case the relationship is overflowing. El texto propone, en su primera parte, un escenario reflexivo sobre el problema de la catástrofe humana en la lógica del Antropoceno. Los pasos narrativos recorren el territorio del cuerpo y las relaciones entre presencia y ausencia, entre humano y no humano, entre pertenencia y desplazamiento. Este recorrido inspiró el territorio para el ensayo visual en la segunda parte, en la que presentamos cuatro fotografías que conformaron el ensayo visual denominado “Desvanecer”, así como la narrativa de la experiencia de llevarlo a cabo. El Colectivo Bunker presenta, a través de este ensayo, la forma en que ha reflexionado sobre temas de actualidad, sirviéndose de los cuerpos de los artistas puestos en relación unos con otros, y en este caso la relación es de desbordamiento. O texto propõe, em sua primeira parte, um cenário reflexivo acerca da problemática da catástrofe humana na lógica do antropoceno. Os passos narrativos percorrem o território do corpo e das relações entre presença e ausência, entre humano e não humano, entre pertencimento e deslocamento. Esse percurso inspirou o território para o ensaio visual da segunda parte, em que apresentamos quatro fotografias que compuseram o ensaio visual denominado “Desvanecer”, bem como a narrativa da experiência de realizá-lo. O Coletivo Bunker apresenta, através deste ensaio, a forma como tem refletido sobre as problemáticas da atualidade, valendo-se dos corpos dos(as) artistas postos em relação um com o outro, e nesse caso a relação é transbordamento. Universidade Estadual de Campinas 2025-01-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto Avaliado pelos pares Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17855 10.20396/proa.v14i00.17855 PROA: Revista de Antropologia e Arte; Vol. 14 (2024): Publicação Contínua; e024013 PROA: Revista de Antropologia e Arte; Vol. 14 (2024): Publicação Contínua; e024013 Proa: Revista de Antropologia e Arte; v. 14 (2024): Publicação Contínua; e024013 2175-6015 por https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17855/14565 Brasil; Contemporáneo Brasil; Contemporáneo Brasil; Contemporâneo Copyright (c) 2024 José Joaquim Gomes Neto, Julliana Rodrigues de Oliveira https://creativecommons.org/licenses/by/4.0 |
| spellingShingle | Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Gomes Neto, José Joaquim Oliveira, Julliana Rodrigues de Cuerpo Paisaje Relación Catástrofe Body Landscape Relationship Catastrophe Corpo Paisagem Relação Catástrofe The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title | The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title_full | The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title_fullStr | The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title_full_unstemmed | The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title_short | The ghosts were already sad: a dialogue between Art and Visual Anthropology on life in the face of catastrophe |
| title_sort | ghosts were already sad: a dialogue between art and visual anthropology on life in the face of catastrophe |
| topic | Cuerpo Paisaje Relación Catástrofe Body Landscape Relationship Catastrophe Corpo Paisagem Relação Catástrofe |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/proa/article/view/17855 |
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