Dissonant Modernities: the presence of afrotropes in Heitor Villa-Lobos’ aesthetic project
This article aims to recompose the multifaceted picture of artistic modernities emerged in the early 20th century, in Brazilian cultural sphere. To achieve this purpose, the examination of some aspects of the aesthetic and musical project outlined by Heitor Villa-Lobos (1887-1959) will be adopted as...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2024
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/18726 |
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