Two scenes about the merchandise
Olympia (1863, oil on canvas, 130.5 × 190 cm, Paris, Musée d’Orsay) has the character of a manifesto – in the form of a poster. The painting corresponds to a corollary or synthesis of the various portraits of working women made by Manet (1832-1883) since the previous year, 1862.1 It is the formulati...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas
2022
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/18871 |
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| Summary: | Olympia (1863, oil on canvas, 130.5 × 190 cm, Paris, Musée d’Orsay) has the character of a manifesto – in the form of a poster. The painting corresponds to a corollary or synthesis of the various portraits of working women made by Manet (1832-1883) since the previous year, 1862.1 It is the formulation achieved of work for sale, therefore, of merchandise, as we will see. |
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| ISSN: | 0104-9321 |
