Methodology of (not) european art history (2nd part): historiographies in transit
This work continues the homonymous text published in this journal (2021), trying to explore not so much a review of personalities who marked the history of art in Brazil, but above all weaving an analytical outline of the discourse that underlies some of the best-known “general” stories of Brazilian...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2024
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/19143 |
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| Summary: | This work continues the homonymous text published in this journal (2021), trying to explore not so much a review of personalities who marked the history of art in Brazil, but above all weaving an analytical outline of the discourse that underlies some of the best-known “general” stories of Brazilian art, in order to reveal historiographical and aesthetic mentalities in these narratives. To this end, descriptions and discursive comparisons are produced between various historiographical milestones – from 1888 to 1983. In between, what is perhaps the burning issue of current historiographical work is highlighted, namely, the presumed absence of female, indigenous and Afro-Brazilian artists in the idiosyncrasies of another modernity. |
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| ISSN: | 2447-1313 |
