Cover Image

The soft structures and the factum est of painting

This essay aims to achieve two main objectives: that of speculation about the state of artistic research, research that, being prospective or implicit in nature, does not fail to combine the meanings of authorship and theory in the same dimension, and that of a point of departure situation after BCI...

Full description

Saved in:

Bibliographic Details
Main Author:	Ferreira, Antonio Quadros
Format:	Online
Language:	Portuguese
Published:	Universidade Estadual de Campinas 2024
Subjects:	Structures molles Factum est Lição da pintura Painting lesson Lección de pintura
Online Access:	https://econtents.sbu.unicamp.br/inpec/index.php/visuais/article/view/19175
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Um debate sobre o parnaso de Mantegna
by: Carvalho , Gustavo Campos de
Published: (2008)

Emergencia del Sur Global. Perspectivas para el desarrollo de la periferia latinoamericana
by: Ramiro Fernandez, Victor
Published: (2015)

Sistema Est-ético: a arte como insurgência diante do irrepresentável
by: Barbosa, Ramsés Albertoni, et al.
Published: (2025)

The "oriental difference" from Voltaire to Marx
by: Moraes, João Quartim de, et al.
Published: (1995)

From "Ideological Conceptualism" to "Socialist Conceptualism: The years of exile of the Chilean poet and artist Guillermo Deisler in Bulgaria (1973-1986)
by: Cytlak , Katarzyna
Published: (2020)

Francisco Laranjo, the path from within as a vital path of painting
by: Ferreira, Antonio Quadros, et al.
Published: (2023)

Coding the categories of "group" and restrcited "group" in Toba of Eastern Formosa (Argentina)
by: González, Raúl Eduardo
Published: (2016)

The process or body of memory
by: Ferreira, Antonio Quadros
Published: (2016)

Nadir Afonso, biography, bibliography, work
by: Ferreira, António Quadros
Published: (2018)

Presentation of the Special Dossier : Francisco Laranjo, memory and the sensitive spaces of images
by: Ferreira, Antonio Quadros, et al.
Published: (2023)

Polycarbonitrile: an evaluation using electronic structure methods to analyze their respective electronic and structural stability
by: Faccin, Pedro, et al.
Published: (2019)

Developing qualitative models for structural learning
by: Lobosco, Tales, et al.
Published: (2018)

Structure and wholeness: the intellectual origins of structuralism in central and eastern europe
by: Lima, Clevisvaldo Pinheiro, et al.
Published: (2018)

Experiences with digital tools in teaching architectural structures
by: Silva, Felipe Tavares da, et al.
Published: (2021)

Silence that invades and liberates: the painting-landscapes of Francisco Laranjo
by: Loureiro, Domingos, et al.
Published: (2023)

Periodic structures stiffness topology optimization
by: Nunes, Joao Victor Watanabe, et al.
Published: (2019)

Invisible, intangible and irretrievable: the paintings of the Quinta da Boa Vista National Museum
by: Azevedo, Evelyne, et al.
Published: (2024)

Development of biomimetic structures through topology optimization
by: Mizobuti, Vinicius, et al.
Published: (2019)

PROLEGÓMENOS PARA UNA TEORÍA FORMAL DE ESTRUCTURAS (DESPUÉS DE N.DA COSTA ).
by: Navarro Mena, Vidal Humberto
Published: (2015)

The landscape calligraphy: the essence of the oriental line in Domènec Corbella's painting
by: Sofia Gonçalves, Sofia, et al.
Published: (2020)

The composition of imaginary domes in the capitany of Minas Gerais: the constitution of an artistic practice in the environment of quadratura paintings and its connection to the pictorial illusionism in Northern Italy (1760-1787)
by: Giovannini, Luciana Braga, et al.
Published: (2023)

From coming and going: non-chronological time in Sean Scully's painting
by: Falqueto Lemos, Andreia, et al.
Published: (2022)

She sells sea shells: notes for a poetics (and a policy) in painting
by: Sabino, Isabel
Published: (2015)

The painted word: The ecphrasis in sixteenth-century treatises on painting
by: Nascimento, Cristiane Maria Rebello, et al.
Published: (2021)

The fabric of teaching. Notes to think about the sequences as from some relationship with painting exercises: the case of school gymnastics
by: Pastorino Rodriguez, Isabel, et al.
Published: (2023)

Hydrostatic pressure and temperature dependence of the band structure in a 1-D semiconductor phtonic crystal
by: Reyes , Luz Esther González
Published: (2020)

Teaching-learning of structural projects for architecture with educational technologies
by: Mattana, Leticia, et al.
Published: (2022)

Letter to the editor on seeing an elephant: concluding the debate (for now)
by: Izre'el, Shlomo, et al.
Published: (2024)

Génération automatique de la structure prosodique en français
by: Martin, Philippe, et al.
Published: (2019)

The FBAUL painting storage space: a historiographical view of the various pictorial awards
by: Cardeira, Liliana, et al.
Published: (2020)

Pour Marx e Lire le capital: convergences and divergences
by: Motta, Luiz Eduardo, et al.
Published: (2017)

REMARKS ON ABSTRACT GALOIS THEORY
by: Costa, Newton C. A., et al.
Published: (2015)

Landscape painting in the nineteenth century: prelude to an exhausted nature
by: Sá, Renata Camargo, et al.
Published: (2020)

An Unprecedented worship: the first Representation of the “Other” in the sixteenth century’s Portuguese painting
by: Andrade, Rafael Augusto Castells de
Published: (2021)

From sentential syntax to syntax of interaction: existential constructions in Modern Hebrew
by: Ozerov, Pavel, et al.
Published: (2023)

How can i give this pain to someone else? structure effects of ensimismate pain
by: Craviotto-Corbellini, Agustina, et al.
Published: (2021)

The semantic selection of the manner adverb "bem" (“well”) reveals an event structure in verb phrases
by: Gomes, Ana Paula Quadros, et al.
Published: (2022)

Open-air market: from countryside to city, from color to painting
by: Nardo, Mayara Bianca Souza, et al.
Published: (2026)

New World: looking at the painting of Ilídio Salteiro
by: Queiroz, João Paulo, et al.
Published: (2024)

Race and gender in social inequality
by: Quadros, Waldir, et al.
Published: (2022)