The concept of dialectics in Lukács
The cover of the unprecedented Brazilian edition of Mészáros' book originally released in English in 1972 and written between 1967-8 is the reproduction of part of a canvas by the Russian painter Vasili Vereshchagin, entitled “The Field of Chipka” (1878-9). In it we see several artillery soldie...
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Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas
2015
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19201 |
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| author | Gonçalves, Maurício Gonçalves, Maurício |
| author_facet | Gonçalves, Maurício Gonçalves, Maurício |
| author_sort | Gonçalves, Maurício |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | Crítica Marxista; Vol. 22 No. 41 (2015); 167-170 |
| description | The cover of the unprecedented Brazilian edition of Mészáros' book originally released in English in 1972 and written between 1967-8 is the reproduction of part of a canvas by the Russian painter Vasili Vereshchagin, entitled “The Field of Chipka” (1878-9). In it we see several artillery soldiers killed during the Russian-Turkish war (1877-8), “taking with their bodies and equipment the gap that separates them from the enemy” so that the cavalry would be able to march towards victory (p .92). Lukács saw in this painting a metaphor for the condition of thought of his time: the “recognition of the limits imposed on man by an unfavorable time [...] which allows him to find [...] a relatively wide 'field of maneuver' for activity present, as effective and valid as possible for an overall vision [...]” (p.92). |
| first_indexed | 2025-10-08T14:24:42Z |
| format | Online |
| id | ojs-article-19201 |
| institution | Universidade Estadual de Campinas |
| issn | 0104-9321 |
| language | por |
| last_indexed | 2025-10-08T14:24:42Z |
| publishDate | 2015 |
| publisher | Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas |
| record_format | ojs |
| spelling | ojs-article-192012024-10-18T15:13:28Z The concept of dialectics in Lukács O conceito de dialética em Lukács Gonçalves, Maurício Gonçalves, Maurício Lukács Metáfora Pensamento Lukács Metaphor Thought The cover of the unprecedented Brazilian edition of Mészáros' book originally released in English in 1972 and written between 1967-8 is the reproduction of part of a canvas by the Russian painter Vasili Vereshchagin, entitled “The Field of Chipka” (1878-9). In it we see several artillery soldiers killed during the Russian-Turkish war (1877-8), “taking with their bodies and equipment the gap that separates them from the enemy” so that the cavalry would be able to march towards victory (p .92). Lukács saw in this painting a metaphor for the condition of thought of his time: the “recognition of the limits imposed on man by an unfavorable time [...] which allows him to find [...] a relatively wide 'field of maneuver' for activity present, as effective and valid as possible for an overall vision [...]” (p.92). A capa da inédita edição brasileira do livro de Mészáros lançado originalmente em inglês em 1972 e redigido entre 1967-8 é a reprodução de parte de uma tela do pintor russo Vasili Vereshchagin, intitulada “O campo de Chipka” (1878-9). Nela vemos vários soldados de artilharia mortos no tempo da guerra russo-turca (1877-8), “tomando com seu corpo e seu equipamento o fosso que a separa do inimigo” para que a cavalaria tivesse condições de marchar em direção à vitória (p.92). Lukács via nessa tela uma metáfora da condição do pensamento de seu tempo: o “reconhecimento dos limites impostos ao homem por uma época desfavorável [...] que permite encontrar [...] ‘um campo de manobra’ relativamente amplo para a atividade presente, o mais eficaz e válido possível para uma visão de conjunto [...]” (p.92). Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas 2015-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19201 10.53000/cma.v22i41.19201 Crítica Marxista; Vol. 22 No. 41 (2015); 167-170 Crítica Marxista; v. 22 n. 41 (2015); 167-170 2966-0165 0104-9321 por https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19201/13691 World; Contemporary Mundo; Contemporâneo Copyright (c) 2015 Maurício Gonçalves https://creativecommons.org/licenses/by/4.0 |
| spellingShingle | Gonçalves, Maurício Gonçalves, Maurício Lukács Metáfora Pensamento Lukács Metaphor Thought The concept of dialectics in Lukács |
| title | The concept of dialectics in Lukács |
| title_full | The concept of dialectics in Lukács |
| title_fullStr | The concept of dialectics in Lukács |
| title_full_unstemmed | The concept of dialectics in Lukács |
| title_short | The concept of dialectics in Lukács |
| title_sort | concept of dialectics in lukács |
| topic | Lukács Metáfora Pensamento Lukács Metaphor Thought |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19201 |
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