Brazilianity revolutionary
In times of accommodation of criticism towards the world of intellectual competition or radical artistic performance to the mediatized cultural industry, Revolutionary Brasilidade, by Marcelo Ridenti, should be hailed as an important contribution to the debate on the idea of Brazilian revolution t...
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas
2011
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| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19331 |
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| author | Avelar, Alexandre de Sá Avelar, Alexandre de Sá |
| author_facet | Avelar, Alexandre de Sá Avelar, Alexandre de Sá |
| author_sort | Avelar, Alexandre de Sá |
| collection | Portal da Incubadora de Periódicos Científicos, Acadêmicos e Educacionais |
| container_reference | Crítica Marxista; Vol. 18 No. 33 (2011); 153-156 |
| description | In times of accommodation of criticism towards the world of intellectual competition or radical artistic performance to the mediatized cultural industry, Revolutionary Brasilidade, by Marcelo Ridenti, should be hailed as an important contribution to the debate on the idea of Brazilian revolution throughout the 20th century. From the life of the libertarian Everardo Dias to the reception, among us, of Marshall Berman's book, Tudo que é solid melts into the air, passing through the communist intellectuals and artists of the 1950s and the generation of the 1960s, Ridenti recovers the “bet on possibilities of the Brazilian revolution, national-democratic or socialist, which would allow the potential of a nation to be realized” (p.10). The notion of revolutionary Brazilianness is not self-evident. She is the construction of a utopia of social transformation, even though some artists and intellectuals imagined they were giving voice to an innate condition of being Brazilian. Construction that called on the people to the task of emancipation through struggles and experiences that, in their origins, generated “amalgams and ruptures between anarchism, positivism, tenentismo, communism and other inspirations political and intellectual” (p.11). In the 1950s, revolutionary Brazilianness consolidated itself as shared feelings and hopes around the inevitability of the revolution that would save us from backwardness and oppression. |
| first_indexed | 2025-10-08T14:25:08Z |
| format | Online |
| id | ojs-article-19331 |
| institution | Universidade Estadual de Campinas |
| issn | 0104-9321 |
| language | por |
| last_indexed | 2025-10-08T14:25:08Z |
| publishDate | 2011 |
| publisher | Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas |
| record_format | ojs |
| spelling | ojs-article-193312024-10-18T15:17:02Z Brazilianity revolutionary Brasilidade revolucionária Avelar, Alexandre de Sá Avelar, Alexandre de Sá Revolução brasileira Transformação social PCB Brazilian revolution Social transformation PCB In times of accommodation of criticism towards the world of intellectual competition or radical artistic performance to the mediatized cultural industry, Revolutionary Brasilidade, by Marcelo Ridenti, should be hailed as an important contribution to the debate on the idea of Brazilian revolution throughout the 20th century. From the life of the libertarian Everardo Dias to the reception, among us, of Marshall Berman's book, Tudo que é solid melts into the air, passing through the communist intellectuals and artists of the 1950s and the generation of the 1960s, Ridenti recovers the “bet on possibilities of the Brazilian revolution, national-democratic or socialist, which would allow the potential of a nation to be realized” (p.10). The notion of revolutionary Brazilianness is not self-evident. She is the construction of a utopia of social transformation, even though some artists and intellectuals imagined they were giving voice to an innate condition of being Brazilian. Construction that called on the people to the task of emancipation through struggles and experiences that, in their origins, generated “amalgams and ruptures between anarchism, positivism, tenentismo, communism and other inspirations political and intellectual” (p.11). In the 1950s, revolutionary Brazilianness consolidated itself as shared feelings and hopes around the inevitability of the revolution that would save us from backwardness and oppression. Em tempos de acomodação da crítica ao mundo da competição intelectual ou da atuação artística radical à indústria cultural midiatizada, Brasilidade revolucionária, de Marcelo Ridenti, deve ser saudada como uma importante contribuição ao debate sobre a ideia de revolução brasileira ao longo do século XX. Da vida do libertário Everardo Dias à recepção, entre nós, do livro de Marshall Berman, Tudo que é sólido desmancha no ar, passando pelos intelectuais e artistas comunistas da década de 1950 e pela geração dos anos 1960, Ridenti recupera a “aposta nas possibilidades da revolução brasileira, nacional-democrática ou socialista, que permitiria realizar as potencialidades de uma nação” (p.10). A noção de brasilidade revolucionária não é evidente por si mesma. Ela é a construção de uma utopia de transformação social, ainda que alguns artistas e intelectuais imaginassem estar dando voz a uma condição inata de ser brasileiro. Construção que conclamava o povo para a tarefa de emancipação a partir de lutas e de experiências que, em suas origens, geraram “amálgamas e rupturas entre o anarquismo, o positivismo, o tenentismo, o comunismo e outras inspirações políticas e intelectuais” (p.11). Na década de 1950, a brasilidade revolucionária consolidou-se como sentimentos e esperanças compartilhados em torno da inevitabilidade da revolução que viria nos salvar do atraso e da opressão. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas 2011-10-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Text Texto application/pdf https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19331 10.53000/cma.v18i33.19331 Crítica Marxista; Vol. 18 No. 33 (2011); 153-156 Crítica Marxista; v. 18 n. 33 (2011); 153-156 2966-0165 0104-9321 por https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19331/13818 World; Contemporary Mundo; Contemporâneo Copyright (c) 2011 Alexandre de Sá Avelar https://creativecommons.org/licenses/by/4.0 |
| spellingShingle | Avelar, Alexandre de Sá Avelar, Alexandre de Sá Revolução brasileira Transformação social PCB Brazilian revolution Social transformation PCB Brazilianity revolutionary |
| title | Brazilianity revolutionary |
| title_full | Brazilianity revolutionary |
| title_fullStr | Brazilianity revolutionary |
| title_full_unstemmed | Brazilianity revolutionary |
| title_short | Brazilianity revolutionary |
| title_sort | brazilianity revolutionary |
| topic | Revolução brasileira Transformação social PCB Brazilian revolution Social transformation PCB |
| url | https://econtents.sbu.unicamp.br/inpec/index.php/cma/article/view/19331 |
| work_keys_str_mv | AT avelaralexandredesa brazilianityrevolutionary AT avelaralexandredesa brazilianityrevolutionary AT avelaralexandredesa brasilidaderevolucionaria AT avelaralexandredesa brasilidaderevolucionaria |
