The demonization of other's images: the mural From Orun to Aiye
This article presents a reflection on gestures of insurgency against artistic productions in Brazilian cities in the 21st century and, more specifically, against the mural Do Orun ao Aiye: Afrika Elementar, produced by Nathê Ferreira, Adelson Boris and Emerson Crazy, in the city of Recife in 2021. B...
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| Main Authors: | , |
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| Format: | Online |
| Language: | Portuguese |
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Universidade Estadual de Campinas
2024
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| Subjects: | |
| Online Access: | https://econtents.sbu.unicamp.br/inpec/index.php/rhac/article/view/19933 |
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| Summary: | This article presents a reflection on gestures of insurgency against artistic productions in Brazilian cities in the 21st century and, more specifically, against the mural Do Orun ao Aiye: Afrika Elementar, produced by Nathê Ferreira, Adelson Boris and Emerson Crazy, in the city of Recife in 2021. Based on a bibliographical review, it explores the desires of images and possible insurgent gestures against them. It concludes that the insurgent gesture of demonization against the analyzed mural does not only signal a religious motivation but reveals the persistence of a racialized regime of representation and stereotyping against black populations, that can jeopardize the integrity of the Brazilian cities’ artistic heritage. |
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| ISSN: | 2675-9829 |
